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Steve Reich

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Steve Reich is a pioneering American composer.

Steve Reich, composer, cropped
Steve Reich, composer, cropped

He is a leading figure in minimal music. This style emerged in America during the late 1960s and 1970s. It was developed alongside other composers like Terry Riley and Philip Glass. Reich's work is defined by repetitive musical figures. He also uses slow harmonic rhythm and canons. A canon is a musical technique where voices follow one another. Reich wants listeners to hear a perceptible process. This means the musical change is clear to the ear. He wants the process to happen throughout the entire piece.

One of Reich's most famous methods is phase shifting. This technique creates new patterns through a specific sequence. First, one or more players repeat a musical phrase. Then, one player plays slightly faster or slower than the others. This causes the parts to go "out of phase." The sounds slide out of sync to create shifting textures. Reich first experimented with this using tape loops. In his 1965 work, It's Gonna Rain, he used a sermon fragment. He transferred the words "it's gonna rain" to multiple loops. These loops gradually moved out of phase with each other.

Reich also applied phasing to spoken word recordings. His 1966 piece, Come Out, is a notable example. It uses a recording of Daniel Hamm, a member of the Harlem Six. Hamm spoke the line, "I had to, like, open the bruise up and let some of the bruise blood come out to show them." Reich recorded the fragment "come out to show them" on two channels. Initially, the voices played in unison. They quickly slipped out of sync. The discrepancy grew until it became a reverberation. The voices eventually split into four, then eight channels. This continued until the words became unintelligible rhythmic patterns.

Reich eventually moved from tape to live instrumental performance. In 1966, he composed Melodica for a melodica and tape. This piece used a melody recorded on a melodica. He then used two channels to create an interlocking melody through phasing. This marked his transition from tape music to instrumental music. In 1967, he created Piano Phase for two pianos. In this piece, players repeat a twelve-note melodic figure. One player maintains a robotic precision. The other player speeds up very slightly. They eventually lock in one sixteenth note apart. This cycle repeats three times throughout the piece.

Reich's musical education was quite diverse. He was born in New York City in 1936 to Jewish parents. He studied piano as a child. At age 14, he began serious musical study. He explored both Baroque music and 20th-century styles. He also studied drums to play jazz. Reich graduated from Cornell University in 1957 with a degree in Philosophy. He later studied composition at Juilliard and Mills College. He earned a master's degree in composition in 1963. At Mills, he worked with the San Francisco Tape Music Center. This group included artists like Pauline Oliveros and Terry Riley.

In the 1970s, Reich expanded his rhythmic vocabulary. He traveled to the University of Ghana in 1970. There, he studied polyrhythmic music with master drummer Gideon Alorwoyie. This experience inspired his major work, Drumming, from 1970–1971. This piece is for a nine-piece percussion ensemble. It includes female voices and a piccolo. Reich also studied Balinese gamelan music in the 1970s. This influenced his work, Music for Mallet Instruments, Voices and Organ. His 1976 masterpiece, Music for 18 Musicians, was his first large ensemble work. It is based on a cycle of eleven chords called "Pulses."

Reich's influence reaches far beyond classical music. His innovations helped establish minimalism as a major movement. His work has influenced experimental music, rock, and electronic music. The rock band Sonic Youth introduced his piece Pendulum Music to new audiences. Some critics suggest Reich has altered the direction of musical history. His style also took on darker themes in the 1980s. He began using historical themes and his Jewish heritage. This is seen in his 1988 work, Different Trains. Today, his ensemble, Steve Reich and Musicians, continues to perform his works.

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