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Joan Acocella

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Joan Acocella was a distinguished American author and dance critic. A critic is a person who observes art and shares professional evaluations with the public. Acocella specialized in describing the movement and meaning of dance. She worked for many prestigious publications throughout her long career. Her writing helped audiences connect more deeply with the performing arts. She was known for being both meticulous in research and energetic in her conversational style.

Acocella's professional process involved deep study and diverse writing formats. She wrote many articles for The New Yorker from 1998 to 2019. For 33 years, she also contributed regularly to The New York Review of Books. Beyond short articles, she authored several significant books. These books covered topics like dance, literature, and psychology. She also served as an editor for important historical texts. For example, she edited the unexpurgated edition of The Diary of Vaslav Nijinsky in 1999.

Her literary work spanned several distinct categories and subjects. In the field of dance, she wrote a biography of the modern choreographer Mark Morris in 1993. She also explored the traits of creators in her 2007 book, Twenty-Eight Artists and Two Saints. Her interest in psychology led her to write Creating Hysteria: Women and Multiple Personality Disorder in 1999. She even applied her skills to literature. She expanded an essay about the author Willa Cather into a full book in 2000. This book, titled Willa Cather and the Politics of Criticism, received a starred review from Publishers Weekly.

Acocella's academic foundation began in California. She was born in San Francisco on April 13, 1945. Her parents were Arnold Ross, an executive at a cement company, and Florence Ross. She grew up in Oakland and attended the University of California, Berkeley. She earned her B.A. in English there in 1966. Later, she moved toward advanced studies in comparative literature. She earned a PhD from Rutgers University in 1984. Her doctoral thesis focused on the Ballets Russes, a famous ballet company.

Throughout her life, she received numerous prestigious honors for her intellect and skill. In 1993–1994, she was a Fellow of the Guggenheim Foundation. She received the Nona Balakian Citation for Excellence in Reviewing in 2009. In 2012, she was a Holtzbrinck Berlin Prize Fellow. The American Academy of Arts and Letters honored her twice. They gave her an Award in Literature in 2007 and the Harold D. Vursell Memorial Award in 2017. These awards recognize the high quality of her critical work.

Acocella's career included unique moments of connection with famous artists. In 1997, she accompanied the dancer Mikhail Baryshnikov on a significant journey. They traveled to Riga, Latvia, which was Baryshnikov's birthplace. This was his first trip there since his 1974 defection and exile from the Soviet Union. Her work also touched her own family life. During her time as a senior critic for Dance Magazine, she wrote about her son's performance in The Nutcracker. This performance was with the New York City Ballet.

Her life and work were deeply rooted in the cultural centers of the United States. She lived and worked in major cities like San Francisco, Oakland, and New York City. In her later years, she resided in Manhattan. She was married to Nicholas Acocella and later had a partner named Noël Carroll. Acocella passed away from cancer at her home in Manhattan on January 7, 2024. She was 78 years old. Her legacy remains through the many books and essays that continue to invite readers to explore art.

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