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Twyla Tharp

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Twyla Tharp is a prominent American dancer, choreographer, and author. A choreographer is an artist who designs and arranges sequences of movement for dancers. Tharp is widely celebrated for her ability to blend diverse movement styles. She frequently merges the structured grace of classical ballet with the expressive freedom of modern dance. This unique fusion is often referred to as "crossover ballet." Her work is notable for its musical versatility. She incorporates classical compositions, jazz, and contemporary pop music into her performances.

Twyla Tharp - 1981
Twyla Tharp - 1981

Tharp's creative process involves a deep connection to various musical genres. In 1973, she choreographed Deuce Coupe for the Joffrey Ballet. This piece utilized the music of the pop group The Beach Boys. It is recognized as the first crossover ballet. Later, in 1976, she created Push Comes to Shove. This work featured the renowned dancer Mikhail Baryshnikov. Many critics consider this piece the finest example of the crossover ballet style. Her choreography has been performed by prestigious institutions. These include the Paris Opera Ballet, The Royal Ballet, and the New York City Ballet.

Tharp's influence extends significantly into the world of musical theater on Broadway. In 2001, she premiered the dance musical Movin' Out in Chicago. This production used the songs and lyrics of Billy Joel. When it moved to Broadway in 2002, it became a massive success. The show ran for 1,331 performances. Tharp earned a Tony Award for Best Choreographer for her work on this production. She also created The Times They Are a-Changin' in 2005 using the music of Bob Dylan. This show set records for the highest ticket sales and highest grossing status at the time of its closing in March 2006.

Another major success was the production Come Fly Away. It originally opened as Come Fly with Me in 2009 at the Alliance Theater in Atlanta. That run was the best-selling four-week run for the theater as of 2009. The show eventually opened on Broadway in 2010 at the Marquis Theatre. It ran for 188 performances. Tharp has also collaborated with film directors like Miloš Forman. Her choreography appeared in films such as Hair, Ragtime, and Amadeus. These collaborations show how her movement style translates from the stage to the screen.

Tharp's professional journey began with significant training and education. She was born on July 1, 1941, on a farm in Portland, Indiana. Her family moved to Rialto, California, in 1950. She studied ballet with Beatrice Collenette and attended the Vera Lynn School of Dance. After attending Pomona College, she transferred to Barnard College. She graduated from Barnard in 1963 with a degree in art history. In New York City, she refined her craft by studying with legendary figures like Martha Graham and Merce Cunningham. In 1965, she choreographed her first work, Tank Dive, and founded the Twyla Tharp Dance company.

Throughout her career, Tharp has managed several distinct company structures. Her original company, Twyla Tharp Dance, toured the world from 1971 to 1988. In 1988, this company merged with the American Ballet Theatre (ABT). By 2010, ABT included 20 of her works in its repertory. Tharp also launched a global talent search in 1995. This resulted in a three-year touring project called Tharp!. This troupe performed works like Heroes, set to Philip Glass's music, and Diabelli, set to Beethoven. The project helped launch the careers of many dancers, including choreographer Jessica Lang.

Beyond dance, Tharp is an accomplished author who explores the philosophy of creativity. She has written four books, including The Creative Habit. This book discusses how to use specific routines to sustain artistic life. She describes an exercise called the "Coin Drop" to explain pattern analysis. In this exercise, one observes random coins falling on a flat surface to find order within chaos. This concept is linked to cybernetics, which involves studying control and communication. Tharp also connects these ideas to the Greek concept of the muse Urania. Her writing demonstrates that dance is deeply connected to intellectual discipline and observation.

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