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Indian classical dance

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Indian classical dance, known as Shastriya Nritya, is a diverse group of regional dance traditions. These arts are deeply rooted in Hindu musical theatre and religious practices. They serve as a way to express spiritual ideas, virtues, and the essence of sacred scriptures. Most performances retell stories of gods or historical accounts through expressive movement. These dances are vibrant and spiritual, often performed at festivals, universities, and cultural events.

Stamp of Armenia - 2018 - Colnect 806145 - Indian Dance Manipuri
Stamp of Armenia - 2018 - Colnect 806145 - Indian Dance Manipuri

The foundation of these dances is the Natya Shastra. This ancient text is attributed to the scholar Bharata Muni. Its first complete compilation is dated between 200 BCE and 200 CE. However, some estimates place its origin between 500 BCE and 500 CE. The text is massive, containing about 6,000 verses organized into 36 chapters. It acts as the ultimate authority for defining classical dance. The Natya Shastra describes the theory of Tāṇḍava dance, which is associated with Shiva. It also explains the concepts of rasa, bhāva, gestures, and acting techniques.

Performances are categorized into three distinct types: Nritta, Nritya, and Natya. Nritta is the abstract and rhythmic part of the dance. It focuses on pure movement, speed, and patterns without telling a specific story. This technical aspect aims to engage the audience's senses. Nritya is the expressive part of the dance. It uses slower movements and gestures to communicate feelings or spiritual themes. This part engages the mind and emotions of the viewer. Finally, Natya is a dramatic play. It can be a team performance or a solo act where a dancer portrays different characters. Natya incorporates the elements of Nritya to tell a complete story.

To communicate effectively, dancers use a method called abhinaya. This term literally means "carrying to the spectators." It involves applying the body, speech, mind, and scene to connect with an audience. Dancers use mudras, or expressive hand gestures, to act out parts of a story. They also use facial expressions to convey bhava, which is the underlying mood. A successful performer focuses on four specific aspects. These are Angika, which involves body language. Vachika refers to song, music, and rhythm. Aharya involves the costume, makeup, and jewelry. Sattvika is the artist's mental and emotional connection to the story.

There are different ways to count the number of classical dance styles. The Sangeet Natak Academy recognizes eight specific styles. These include Bharatanatyam from Tamil Nadu and Kathak from Uttar Pradesh. Other recognized styles are Kuchipudi from Andhra Pradesh and Telangana. The list also includes Kathakali from Kerala, Manipuri from Manipur, Mohiniyattam from Kerala, Odissi from Odisha, and Sattriya from Assam. The Indian Ministry of Culture recognizes ten styles by adding Chhau and Gaudiya Nritya. Some scholars, such as Drid Williams, include Yakshagana and Bhagavata Mela in their lists. Each tradition originates from a different state or region of India.

Costumes and presentation are vital to the art form. Women often wear traditional clothing like sarees, lehengas, or kurtas. A common costume for women is a long, colorful, handmade gown. These gowns often feature intricate embroidery and beading. Dancers wear ornate jewelry, including necklaces, rings, earrings, and nose-rings. Many dancers wear anklets with bells attached. In styles like Kathak, these bells create a rhythmic sound when the dancer stomps their feet. Dancers also use heavy facial makeup. This helps them embody their characters and remain visible to the audience. This entire visual presentation is part of the Aharya aspect of performance.

Indian classical dance has moved far beyond its original settings. Historically, religious dances were performed inside or near Hindu temples. They were considered a spiritual path called margi, which helps liberate the soul. In contrast, folk entertainment is called desi, or a regional popular practice. Some dances were performed in royal courts or public squares during festivals. Others, like Chhau and Manipuri, have unique histories involving combat elements. Today, the Indian diaspora has brought these dances to Europe, North America, and the rest of the world. This movement has allowed these ancient traditions to be shared globally.

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