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Comedian Harmonists

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The Comedian Harmonists were a famous all-male German close harmony ensemble. They performed between 1928 and 1934. This group was celebrated for its incredible vocal skill. Their hallmark was the ability to blend voices perfectly. The individual singers could appear and disappear within the vocal texture. This created a smooth and unique sound for their listeners.

BASA-1868K-1-44-1-Comedian Harmonists, Berlin, 01.01.1928
BASA-1868K-1-44-1-Comedian Harmonists, Berlin, 01.01.1928

The ensemble's mechanism relied on six specific members. The group included Ari Leschnikoff, the first tenor. Erich A. Collin served as the second tenor. Harry Frommermann was the tenor buffo. Roman Cycowski performed as the baritone. Robert Biberti provided the bass vocals. Erwin Bootz was the group's dedicated pianist. Together, they mastered a wide repertoire. They sang folk and classical songs arranged by Frommermann. They also performed popular songs by writers like Paul Abraham and Werner R. Heymann.

The group's structure was highly specialized. Each singer held a distinct vocal part. This allowed for complex close harmony arrangements. Close harmony is a style where notes are sung close together. This creates a rich, unified sound. The pianist provided the rhythmic and melodic foundation. This combination allowed the group to appear in 21 different films. Their precise coordination made them a standout act in Europe and the United States.

The history of the group began with an idea in 1927. Harry Frommermann was an unemployed actor in Berlin at the time. He was inspired by The Revelers, a jazz-influenced vocal group from the United States. Frommermann held auditions in his flat on Stubenrauchstraße 47 in Berlin-Friedenau. Once the group assembled, they began rehearsals. By August 1929, the Harmonists performed on the same bill as The Revelers. This meeting led to a lasting friendship between the two groups.

Success eventually met political obstacles during the early 1930s. The Nazi regime made professional life difficult for the members. Three members, Frommermann, Collin, and Cycowski, were Jewish or of Jewish descent. Additionally, Erwin Bootz had married a Jewish woman. The authorities initially banned pieces by Jewish composers. Eventually, the regime prohibited the group from performing in public. Their final concert in Germany took place in Hanover on March 25, 1934.

Ch1930
Ch1930

Following the ban, the group split into two separate paths. Frommermann, Cycowski, and Collin fled Germany to form a new group in Vienna. They used the names "Comedian Harmonists" or "Comedy Harmonists." They worked with a new pianist, bass, and high tenor. The remaining members in Germany formed a successor group called "Das Meistersextett." The authorities required this name because English names were forbidden. Neither group achieved the original level of success. The emigrant group toured the Soviet Union, South Africa, and Australia. However, they could not return to Australia after a 1940 North American tour. Their final concert was in Richmond, Indiana, on May 1, 1940.

The legacy of the Comedian Harmonists saw a resurgence in 1975. A filmmaker created a four-hour black-and-white television documentary. He interviewed the surviving members, who were scattered across the world. This documentary aired in Germany over two nights in 1977. It caused a massive interest in their music once again. This led to the release of their records on vinyl. In 1979, Erwin Bootz and Robert Biberti won the Deutscher Schallplattenpreis. They received this trophy for historic recordings. In 1998, they also won an honorary Echo Music Prize.

Today, the group's story is told through various dramatic representations. A 1997 German movie titled "Comedian Harmonists" was released in the United States in 1999. The film used the group's original recordings for lip-syncing. The story also inspired the musical "Harmony" by Barry Manilow. This production featured music by Manilow and lyrics by Bruce Sussman. It played at the La Jolla Playhouse and later moved to Broadway. These works connect the group's musical history to modern theater and film.

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