Nepedia
Back to Discover
Advanced Reader
🎨

Amateur theatre

arts Maturity 11-13 Next article →

Amateur theatre, often called amateur dramatics, is a form of performance created by people who are not paid for their work.

MFL Image
MFL Image

These performers participate for social activity and aesthetic values rather than as a career. Amateur groups produce a wide variety of shows. They might stage full musicals, light operas, or pantomimes. They also perform revues, variety shows, and plays. These productions happen in many different settings. Some take place in schools or community centres. Others occur in open-air venues or even major professional theatres.

The Roxy Community Theatre at dusk
The Roxy Community Theatre at dusk

The term "amateur" has several technical meanings. One definition describes someone who does not accept money for their services. Another definition describes a person who engages in an art or science as a pastime. This distinguishes them from professionals who work in the field for a living. Because they are not professionals, amateur actors usually do not join actors' unions. In the United States, the Actors' Equity Association protects professional artists. Most professionals study at elite institutions like the Juilliard School or the Royal Academy of Dramatic Art. Amateurs, however, are typically not professionally trained. Some groups even hire professional directors to lead them.

Many groups have changed how they describe themselves. In 2006, writer Andrew Mckinnon noted that "amateur" can have a negative connotation. Some people associate the word with being "amateurish," or lacking skill. Because of this, many groups prefer different names. They might call themselves "dramatic societies," "theatre groups," or simply "players." Many others choose to re-brand as "community" groups.

Gobowen Amateur Dramatic Society's presentation of "See How They Run" at Gobowen (15963963546)
Gobowen Amateur Dramatic Society's presentation of "See How They Run" at Gobowen (15963963546)

The relationship between amateur and professional theatre has evolved significantly. In 1914, writers François Cellier and Cunningham Bridgeman noted that professionals once treated amateurs with contempt. This changed after the rise of amateur Gilbert and Sullivan companies. These groups performed Savoy operas and showed great skill. Professionals began to see amateur societies as useful training schools for the legitimate stage. Even in the 1960s, some professional circles remained suspicious. They sometimes viewed amateur dramatics as a frivolous amusement without artistic pretension. However, many famous professional actors actually established their craft on amateur stages.

Smith College Club of St. Louis presents Arms and the Man by Shaw, 1908
Smith College Club of St. Louis presents Arms and the Man by Shaw, 1908

Amateur theatre is a massive global activity with impressive numbers. In 2012, there were more than 2,500 amateur theatre groups producing around 30,000 productions annually. In the United Kingdom, the National Operatic and Dramatic Association (NODA) was founded in 1899. A 2002 survey by NODA provided specific data on the scale of this activity. It found that affiliated groups had an annual turnover of £34 million. These groups produced 25,760 performances with 437,800 participants. Of these participants, 29% were under the age of 21. Total attendances reached 7,315,840 people. In the United States, the American Association of Community Theatre had 923 member organisations in 2009.

This field serves as a vital springboard for new talent. Many famous actors got their first stage experiences in local amateur groups. For example, Liam Neeson performed with the Slemish Players. Jamie Dornan was part of the Holywood Players. James Nesbitt began with the Ulster Youth Theatre. Nathan Wright also started in amateur theatre in Dudley. Even professional companies now collaborate with local amateurs. In 2016, the Royal Shakespeare Company toured *A Midsummer Night's Dream*. They recruited local amateur members in 14 different cities. These locals played parts like Nick Bottom and the other Mechanicals.

Various organisations exist to support these performers through festivals and competitions. The Little Theatre Guild of Great Britain represents over 100 independent theatres. These venues have capacities ranging from 64 to 450 seats. The National Drama Festivals Association supports about 500 groups. Many groups participate in playwriting competitions to encourage new work. The Scottish Community Drama Association, founded in 1926, promotes community drama in Scotland. In Wales, the Drama Association of Wales provides training and a specialist library. These systems help keep the tradition of community performance alive and thriving.

640 words

Where will your curiosity go next?

Keep exploring at your chosen reading level.

🖼️ Images & Media (4)
File:Gobowen Amateur Dramatic Society's presentation of "See How They Run" at Gobowen (15963963546).jpg
Gobowen Amateur Dramatic Society's...
File:MFL Image.jpg
MFL Image.jpg
File:Smith_College_Club_of_St._Louis_presents_Arms_and_the_Man_by_Shaw,_1908.jpg
Smith_College_Club_of_St._Louis_presents_A...
File:The Roxy Community Theatre at dusk.jpg
The Roxy Community Theatre at dusk.jpg
More to explore

🔬 Go deeper

More advanced topics to explore

🪜 Step back

Simpler topics to build understanding

What is Nepedia?

A free, ad-free encyclopedia for children. Every article is written at five reading levels, so the same page works for a five-year-old and a fifteen-year-old — use the level switcher above to see this one change. No account needed to read.