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Weegee

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Ascher Fellig, known by his pseudonym Weegee, was a highly influential American photojournalist. He was famous for his stark, black-and-white street photography in New York City. His work focused on the intense realities of urban life during the 1930s and 1940s. Weegee documented scenes of crime, injury, and death with an unflinching perspective. This style made the difficult parts of city life feel familiar to the public. His images captured the raw energy of Manhattan's Lower East Side.

Weegee the famous
Weegee the famous

Weegee developed a unique mechanism for capturing news as it happened. He worked mostly at night to find dramatic stories. In 1938, he became the only freelance photographer with a permit for a portable police-band shortwave radio. This allowed him to listen to police teletypes and race to emergency scenes. He often arrived before the authorities to capture the moment. To take his photos, he used a 4x5 Speed Graphic camera. He typically set the camera to an f/16 aperture with a 1/200 second shutter speed. He kept the focus distance at ten feet to capture people full-length. He also used bright flashbulbs to illuminate the dark streets.

His career included several distinct stages and professional roles. He began as a darkroom technician at Acme Newspictures in 1924. In 1935, he transitioned into a freelance photographer. He created his own work by following police reports rather than waiting for assignments. His photography evolved from tabloid news to more artistic pursuits. He worked for high-end publications like Life and Vogue magazines. Later, he experimented with 16 mm filmmaking and trick photography. He even worked as an actor and a special effects consultant in Hollywood.

Weegee's history is a story of immigration and self-invention. He was born Ascher Fellig in 1899 in Złoczów, Ukraine. At that time, the region was part of the Austro-Hungarian Empire. His family immigrated to New York in 1909 on the steamship Kaiserin Auguste Victoria. After settling in Brooklyn, he worked many odd jobs. He once worked as a street photographer of children while riding a pony. His pseudonym, "Weegee," likely came from his time in a photo lab. He was nicknamed "squeegee boy" for his work with prints. Others suggested "Weegee" was a phonetic version of "Ouija," due to his seemingly magical ability to arrive at crime scenes instantly.

His professional significance is marked by large numbers and major institutions. In 1943, the Museum of Modern Art (MoMA) acquired five of his photographs. He was later included in the "50 Photographs by 50 Photographers" exhibition. His massive archive includes 16,000 photographs and 7,000 negatives. This collection was donated to the International Center of Photography in New York. His work has inspired many large exhibitions, such as "Weegee's World" in 1997. These shows often feature his massive collection of historical urban imagery.

"I cried when I took this picture" by Weegee
"I cried when I took this picture" by Weegee

There are many notable examples of his creative range. He was known for his "gritty" aesthetic, which inspired the film *The Naked City*. He also experimented with visual distortions using prisms and plastic lenses. One famous example is a photograph of Marilyn Monroe that used a lens to distort her face. He even starred in a film about himself called *The 'Imp'probable Mr. Wee Gee*. In the film *Dr. Strangelove*, he served as a stills photographer and consultant. His accent even influenced the title character played by Peter Sellers. These examples show he was more than just a news photographer.

Weegee's work connects to many broader fields of art and culture. His focus on street life and marginalized people influenced the photographer Diane Arbus. His style is often compared to the French photographer Brassaï, who also shot Paris at night. His influence extends into modern cinema and television. The film *The Public Eye* and the series *The X-Files* were both inspired by his life. Even modern films like *Nightcrawler* reflect the themes he explored. His legacy remains a vital part of how we study urban history and photojournalism.

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