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André Kertész

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André Kertész was a pioneering photographer who redefined the art of visual storytelling. He is celebrated for his groundbreaking work in photographic composition and the photo essay. A photo essay is a series of images that work together to tell a complete story.

Although his unorthodox angles and unique style initially hindered his fame, he is now a seminal figure in 20th-century photography. Kertész was an autodidact, meaning he taught himself the craft of photography without formal schooling. He spent his career finding beauty in the unexpected and the everyday.

Kertész used various tools to achieve his artistic visions. In his early years, he utilized an ICA box camera. By 1928, he transitioned to using a Leica, which is a much smaller, more portable camera. This change allowed him to move more freely to capture spontaneous moments. He was particularly fascinated by how light and reflection could alter reality. One major method was his "Distortions" series, which utilized specialized mirrors.

Kertesz distortion 1933
Kertesz distortion 1933

These mirrors created wavy, unusual shapes of the human body. He applied similar curiosity to water, capturing how it distorted the form of a swimmer.

Kertesz The Fork
Kertesz The Fork

His career is categorized into four distinct chronological periods. These are the Hungarian period, the French period, the American period, and the International period. Each stage was defined by his location and where his work gained the most recognition. During the French period, he achieved significant commercial and critical success. In the American period, he faced a difficult transition as he rebuilt his reputation. Finally, his International period marked the later years of his life and his global legacy.

Kertész was born Andor Kertész on July 2, 1894, in Budapest, Hungary. He was the middle child of a middle-class Jewish family. His father, Lipót, was a bookseller who died in 1908. This loss left his mother, Ernesztin, to support the family with help from her brother. Although his family expected him to become a stockbroker, he preferred the outdoors and magazines. He purchased his first camera in 1912. During World War I, he served in the Austro-Hungarian army. He used a lightweight Goerz Tenax camera to photograph life in the trenches.

Paris, Mondrian's Glasses and Pipe
Paris, Mondrian's Glasses and Pipe

Sadly, much of this early work was destroyed during the Hungarian Revolution of 1919.

In 1925, Kertész moved to Paris, which was then the artistic capital of the world. He changed his name from Andor to André during this time. He worked for VU, France's first illustrated magazine, and collaborated with editor Lucien Vogel. Vogel helped Kertész publish his work as photo essays. In 1927, Kertész became the first photographer to hold a one-man exhibition at the Sacre du Printemps Gallery. His work in Paris was highly productive, resulting in books like "Enfants" in 1933 and "Nos Amies les bêtes" in 1936. He was also connected to the Dada movement and many immigrant artists.

Due to the rising threat of World War II and the persecution of Jews in Europe, Kertész emigrated to the United States. He and his wife, Elizabeth, boarded the SS Washington in 1936. They arrived in New York on October 15, 1936. Life in America was a period of great difficulty, which he called an "absolute tragedy." He struggled because many Americans were not comfortable being photographed on the street. He had to work for the Keystone agency to rebuild his career. Despite these challenges, he eventually achieved international success and became a naturalized U.S. citizen.

Kertész's influence extends to the very way modern photography is practiced. His ability to use composition to guide a viewer's eye changed the medium. He bridged the gap between journalistic reporting and fine art. His work with the photo essay helped establish a new way for magazines to communicate complex ideas through images. Today, his legacy lives on through the many photographers who use his methods of perspective and storytelling.

Washington Square Arch-Isabella
Washington Square Arch-Isabella
644 words

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🖼️ Images & Media (8)
File:Andre Kertesz - Circus, Budapest, 19 May 1920 - Google Art Project.jpg
Andre Kertesz - Circus, Budapest, 19 May...
File:Paris, Mondrian's Glasses and Pipe.jpeg
Paris, Mondrian's Glasses and Pipe.jpeg
File:Kertesz The Fork.jpg
Kertesz The Fork.jpg
File:Kertesz distortion 1933.jpg
Kertesz distortion 1933.jpg
File:Washington Square Arch-Isabella.jpg
Washington Square Arch-Isabella.jpg
File:Photographers Robert Doisneau (left) and André Kertész in 1975 b.jpg
Photographers Robert Doisneau (left) and...
File:Polaroid instant camera Sx70-2.jpg
Polaroid instant camera Sx70-2.jpg
File:André Kertész 1984 Bp.jpg
André Kertész 1984 Bp.jpg
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