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Viktor Shklovsky

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Viktor Shklovsky was a major twentieth-century thinker who studied how art is constructed. He was a leading figure in Russian Formalism, a movement focused on the specific techniques of literature. Shklovsky was a theorist, a critic, and a writer who explored the mechanics of storytelling. His work helped define how we understand the difference between a story and its presentation. He is remembered as one of the most important cultural theorists of his century. His ideas continue to influence how people study both books and movies today.

One of Shklovsky's most famous concepts is ostranenie, which is often translated as defamiliarization or estrangement. He explained this idea in his 1917 essay, "Art as Technique." He argued that people often stop truly seeing things because they become too familiar. We begin to use clichés and habits that make the world feel dull. Art serves as a tool to break this habit by making the familiar seem strange. By using unique techniques, an artist forces the viewer to notice the world anew.

Shklovsky also developed a way to distinguish between the content of a story and its structure. He used the term fabula to describe the raw sequence of events in a narrative. This is the actual chronological order of what happens in the story. In contrast, he used the term syuzhet to describe the plot. The syuzhet is the specific way the author chooses to organize and present those events to the reader. This distinction helps scholars analyze how writers manipulate time and perspective to create impact.

Shklovsky's life was marked by significant historical shifts and personal challenges. He was born in St. Petersburg to a Lithuanian Jewish father and a German-Russian mother. During the First World War, he served in the Russian Army as a driving trainer for armored cars. In 1916, he co-founded OPOYAZ, a society dedicated to studying poetic language. This group was central to the development of Russian Formalism. He also participated in the February Revolution of 1917 and served as an assistant Commissar.

His political life was often dangerous and caused him to live in hiding. During the Russian Civil War, he opposed Bolshevism and joined an anti-Bolshevik plot. After the conspiracy was found, he traveled through Russia and Ukraine to stay safe. He was eventually pardoned in 1919 due to his connection with Maxim Gorky. However, in 1922, he had to flee to Germany to avoid arrest for his past activities. He eventually returned to the Soviet Union, where he integrated into society and worked as a screenwriter.

Shklovsky was a prolific writer who worked across many different media. He published his seminal work, "Theory of Prose," in 1925. He also wrote memoirs, such as "A Sentimental Journey," which was influenced by the author Laurence Sterne. Beyond books, he was a pioneer in film theory. He wrote "Literature and Cinematography" in 1923 and worked as a screenwriter for many Soviet films. His filmography includes works like "The House on Trubnaya" in 1928 and "Minin and Pozharsky" in 1939.

His intellectual legacy connects to several broad fields of study. His work pushed Russian Formalism toward seeing literary activity as part of social practice. This idea influenced later scholars like Mikhail Bakhtin and members of the Prague School of semiotics. Semiotics is the study of signs and symbols in communication. His theories also reached the West through the translations of Tzvetan Todorov in the 1960s and 1970s. This helped shape the work of many modern thinkers, including Gerard Genette and Hans Robert Jauss.

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