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Aleksei Kruchyonykh

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Aleksei Yeliseyevich Kruchyonykh was a radical poet, artist, and theorist. He was a central figure in Russian Futurism. This was a movement of artists who wanted to break from the past. He was a leader in Cubo-Futurism. This style combined new ways of seeing with new ways of writing. Kruchyonykh wanted to change how people experienced language. He believed that old words had become tired and lost their meaning. He sought to restore the purity of expression through much more extreme methods.

Kruchyonykh is most famous for inventing a poetic style called zaum. Zaum is often described as transrational poetry. It uses nonsense words to create new meanings. He co-invented this style with the Futurist Velimir Khlebnikov. In 1913, Kruchyonykh published a poem called "Dyr bul shchyl" in a book titled Pomada. This was one of the first examples of zaum. He also experimented by writing a poem using only vowels. He believed that by using sounds instead of standard words, he could create fresh emotions. He famously stated that the word "lily" was too worn out to be useful. To fix this, he suggested calling a lily "éuy" to restore its original purity.

His creative process often involved close collaboration with other artists. He and Olga Rozanova invented a type of book called samopismo. In a samopismo, the text and the images are literally connected. These were often lithographed by hand. This means the artists printed the images and words using a stone or metal plate. Many of his books featured illustrations by fellow Futurists. Some of his notable titles include "Explodity," "Worldbackwards," and "A Little Duck's Nest of... Bad Words." He also created his own book "Universal War" in 1916 using abstract collages.

Matyushin, Malevich, Kruchenikh
Matyushin, Malevich, Kruchenikh

Kruchyonykh's career included several major theatrical and literary milestones. He wrote the libretto, or the text, for the Futurist opera "Victory Over the Sun." This project was a massive collaboration. Mikhail Matyushin composed the music. Kazimir Malevich designed the sets. The story followed a group of Futurists who captured the sun and defied gravity. The production was very unusual for its time. It featured costumes made of cardboard and even included a real airplane and aviator. The premiere took place at the Luna Park Theatre in St. Petersburg. The performance caused great outrage, and the audience booed throughout the show.

His life began in the Kherson region of the Russian Empire. He was born on February 21, 1886, to peasant parents. He initially studied to be an artist. He attended the Odessa Art School and the Moscow School of Painting, Sculpture and Architecture. During this time, he made money by publishing caricatures. However, in 1912, he decided to focus on poetry. He became a major part of the Russian Silver Age of literature. He helped draft the manifesto "A Slap in the Face of Public Taste" in 1912. This document argued that writers should throw the old generation "off the steamboat of modernity."

Matyushin, Malevich, Kruchenikh
Matyushin, Malevich, Kruchenikh

Kruchyonykh's radical ideas often led to intense conflict with the public. During poetry recitals, he sometimes faced angry crowds. On one occasion, he had to use his shoes to defend himself from an audience. In another instance, he spilled tea over many people in the audience. After the October Revolution of 1917, he moved to Tiflis, Georgia. There, he worked with Ilia Zdanevich to found an avant-garde group called 41°. The name referred to the temperature of a high fever. Later, the Soviet government banned the avant-garde movement. This made it very difficult for him to publish his work through official channels.

In his later years, Kruchyonykh had to become more self-reliant. He began making his own books to bypass restrictions from publishers. He also worked as an archivist and sold rare manuscripts from his generation. He wrote his memoirs in 1932. He eventually passed away from pneumonia in 1968. Even though he fell into obscurity, his influence remained. Modern musicians have even paid him homage. The Russian punk band Instruktsiya po Vyzhivaniyu recorded a song dedicated to him. His life remains a significant example of how art can challenge the boundaries of language and society.

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File:Vzorval by Aleksei Kruchenykh 1913 2nd edition.jpg
Vzorval by Aleksei Kruchenykh 1913 2nd edition.jpg
File:Matyushin, Malevich, Kruchenikh.jpg
Matyushin, Malevich, Kruchenikh.jpg
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