People in Iran make great movies.
They tell many stories. Some movies are about kids. These films are loved all over the world. They are very special to see. Do you like movies?
People in Iran make great movies.
They tell many stories. Some movies are about kids. Many films show real life. They are loved all over the world.
People use the Persian language in their films. Some movies are even silent. These films are very special to see. Do you like movies?
People in Iran make amazing movies.
These films are known all over the world. Most are written in the Persian language. Iranian cinema has a very long history of art. Long ago, artists made carvings in stone. They also made small, colorful paintings called miniatures.
Moving pictures first arrived in Iran in the early 1900s. Mirza Ebrahim Khan Akkas Bashi was the first filmmaker. He used a camera to film the King of Persia. Later, people made the first silent films. In 1933, Abdolhossein Sepanta made the first sound film. It was called "Lor Girl."
Today, many people love Iranian art films. These movies often tell stories about real life. Some films focus on children facing hard times.
Many directors and actors win big prizes at film festivals. For example, Abbas Kiarostami won a top prize in Cannes. Shahab Hosseini is a famous actor who also won in Cannes. Even more actresses have won awards in places like Berlin and Venice.
Iranian films help share their culture with everyone.
The cinema of Iran is a famous way of making movies.
These films are often written in the Persian language. Many people call them art films because they are so special. Some critics even say Iran has one of the most important cinemas in the world. They compare these movies to famous art movements from other countries. For the last twenty years, many big film festivals have given awards to Iranian movies. People all over the world watch them to see new ideas and beautiful stories.
Long before cameras existed, people in Iran were already telling stories through art.
Around 500 BC, artists made bas-reliefs at a place called Persepolis. A bas-relief is a type of sculpture made by carving into stone. Later, during the Sassanian period, artists made very detailed carvings in Taq Bostan. One carving even shows a wounded pig, which looks like a close-up shot in a movie! Artists also made Persian miniatures, which are tiny, colorful paintings. These paintings did not use perspective, so artists could show many different stories in one single picture.
Movies first arrived in Iran at the start of the 20th century.
The very first filmmaker was Mirza Ebrahim Khan Akkas Bashi. He was a photographer for the King of Persia. In 1900, he used a camera to film the King visiting Europe. Later, the first public movie screening happened in Tehran in 1904. It was held in the back of an antique shop! By 1905, the first real movie theater opened on Cheragh Gaz Avenue. It took some time to grow, but more theaters opened in 1912 thanks to Ardeshir Khan.
As time went on, filmmakers began to use sound and new schools.
In 1925, Ovanes Ohanian started the first film school in Iran. In 1930, he made the first silent film called Abi and Rabi. A few years later, Abdolhossein Sepanta made the first sound film in 1933. It was called Lor Girl and played in two Tehran cinemas. Sepanta also made movies about famous poets and love stories. Later, leaders like Esmail Koushan helped the industry grow by starting a film society in 1949.
Today, Iranian movies are known for their unique styles and deep themes.
Many films tell true stories about children or real-life problems. Famous directors like Abbas Kiarostami won the big Palme d'Or prize at the Cannes Film Festival in 1997. Actors like Shahab Hosseini and Zar Amir Ebrahimi have also won top awards. Even actresses like Shohreh Aghdashloo have been nominated for Oscars. From the mountains of Kurdistan to the streets of Tehran, cinema helps the world see the heart of Iran.
The cinema of Iran, also known as Persian cinema, is a major global film industry.
Most of these films are written and spoken in the Persian language. Many critics consider Iranian cinema to be one of the most important national cinemas in the world. They often compare its artistic significance to historical movements like Italian neorealism. For the past twenty years, many international film festivals have honored Iranian films. These movies have become major exports that gain recognition across the globe.
Long before the invention of the camera, Iran had a rich history of visual storytelling.
Around 500 BC, artists created bas-reliefs at Persepolis. A bas-relief is a sculpture made by carving into a flat stone or metal surface. During the Sassanian period, artists in Taq Bostan created sophisticated carvings of hunting scenes. One carving depicts a wounded wild pig, which some see as a precursor to the cinematic close-up. Later, Persian miniatures used a lack of perspective to show multiple plots within one image. Other traditional performances included shadow plays called sâyeh-bâzi and dramatic ta'ziyeh.
Cinema arrived in Persia during the early 20th century when the technology was only five years old.
Mirza Ebrahim Khan Akkas Bashi was the first filmmaker. He was a photographer for Muzaffar al-Din Shah. In 1900, he filmed the Shah's visit to Europe. The first public screening occurred in 1904 in the back of an antique shop in Tehran. By 1905, the first movie theater opened on Cheragh Gaz Avenue. The industry faced many challenges during political conflicts. However, Ardeshir Khan helped movie theaters reappear in 1912.
Technological and educational growth followed in the following decades.
Ovanes Ohanian established the first film school, "Parvareshgahe Artistiye Cinema," in 1925. He also directed the first silent film, Abi and Rabi, in 1930. In 1933, Abdolhossein Sepanta released the first Iranian sound film, titled Lor Girl. This film was shown in two Tehran cinemas, Mayak and Sepah. Sepanta used Persian literature and mythology to tell stories. He directed works like Laili and Majnoon, which is a love story similar to Romeo and Juliet.
In the mid-20th century, new leaders helped organize the industry.
Esmail Koushan and Farrokh Ghaffari were very influential. Ghaffari founded the National Iranian Film Society in 1949. This helped create a space for non-commercial and alternative films. By the 1950s through the 1970s, a movement called New Iranian Cinema, or cinema motefävet, emerged. This period helped set the stage for the complex artistic styles seen in later years.
After the 1979 Revolution, the film industry underwent significant changes.
New regulations led some filmmakers to go into exile. However, the government began providing financial aid in 1983. This change supported a new generation of filmmakers, including many women. The focus of films often shifted to lyrical dramas and true stories about children. By 2001, the number of feature films produced annually rose to 87. This was a large increase from the 28 films produced in 1980.
Iranian cinema has achieved massive success at major international festivals.
Abbas Kiarostami won the Palme d'Or at the Cannes Film Festival in 1997 for Taste of Cherry. In 2006, six different Iranian films were represented at the Berlin Film Festival. Many actors have also won prestigious awards. Shahab Hosseini won Best Actor at Cannes, and Reza Naji won a Silver Bear at Berlin. Actress Shohreh Aghdashloo was the first Iranian actress nominated for an Oscar. Zar Amir Ebrahimi also won Best Actress at the Cannes Film Festival.
Today, the industry continues to expand through different regions and styles.
In 1998, the government began funding ethnic cinema. This helped the film industry in Iranian Kurdistan grow quickly. Filmmakers like Bahman Ghobadi and Ali-Reza Rezai have emerged from this movement. There is also a growing production of movie-documentaries. These films often explore social themes and the ideals of the Islamic revolution. Iranian cinema remains a vital part of the global artistic landscape.
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