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Alfred Noyes

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Alfred Noyes was a prominent English poet, short-story writer, and playwright.

Picture of Alfred Noyes
Picture of Alfred Noyes

Born in Wolverhampton, England, in 1880, he spent much of his childhood in Wales. The Welsh coast and mountains served as a lasting source of inspiration for his creative work. Noyes achieved significant literary success very early in his life. His first volume of poems, titled "The Loom of Years," was published in 1902. This debut earned him praise from respected writers such as W. B. Yeats and George Meredith. His early popularity helped him sustain a successful career for many decades.

Noyes utilized various literary forms to express his ideas and stories. He wrote many volumes of poetry, including "The Flower of Old Japan" in 1903. One of his most enduring works is the poem "The Highwayman," first published in 1906. This poem gained such cultural significance that a 1995 BBC poll ranked it as Britain's 15th favorite poem. He also composed "Drake," a massive 200-page epic poem written in blank verse. This work focused on the Elizabethan naval commander Sir Francis Drake and was released in two volumes between 1906 and 1908. Additionally, Noyes wrote plays, such as "Sherwood," which was later reissued as "Robin Hood."

His writing style was deeply influenced by the Romantic poets. He specifically modeled his poetic technique after Alfred, Lord Tennyson. Because of this connection, Noyes published a formal critical study of Tennyson in 1932. He also showed great admiration for the writer William Morris, producing a study of his work in 1908. However, Noyes held very different views regarding literary modernism. He was highly critical of writers like T. S. Eliot, whom he found pretentious. He expressed intense dislike for James Joyce, describing the novel "Ulysses" as "filth" and "literary Bolshevism." He even worked to have a copy of the banned book removed from an auction in 1930.

Noyes maintained a significant presence in both England and the United States. In 1913, he traveled to America to lecture on world peace and disarmament. His successful tour led to a position as a visiting professor at Princeton University in 1914. During his nine years divided between the two countries, he taught modern English literature. His notable students at Princeton included the famous novelist F. Scott Fitzgerald. Even after resigning from his professorship in 1923, he continued to travel and lecture across America for the rest of his life. His work remained popular in the U.S., appearing frequently in American newspapers and magazines.

His personal life was marked by both deep connection and loss. In 1907, he married Garnett Daniels, the daughter of a U.S. Army Colonel. The couple lived a life of international travel, moving between Europe and North America. Sadly, his wife passed away in 1926 while they were staying in Saint-Jean-de-Luz, France.

Alfred Noyes gravestone
Alfred Noyes gravestone

Noyes continued his professional life and his advocacy for peace after her death. He remained an active figure in the literary world until his passing in 1958. He is buried alongside his wife.

Noyes is perhaps best remembered for his complex views on war and peace. Although he was a pacifist who hated conflict, he believed nations must fight if threatened by an aggressive enemy. In 1913, he published "The Wine Press," a long poem intended to protest the coming of war. During World War I, he served on attachment to the Foreign Office, working on propaganda. He also wrote patriotic stories and odes to boost morale. During World War II, he wrote "If Judgement Comes," a work that placed Adolf Hitler on trial before history. He also wrote the science fiction novel "The Last Man" in 1940, which carried a strong anti-war message.

One of his most famous reflections on war is the poem "The Victory Ball." He wrote this piece after attending a celebratory dance in London following the Armistice. The poem contrasts the joy of the dancers with the reality of the fallen soldiers. He famously wrote the line, "Under the dancing feet are the graves." This poem was so impactful that it was later turned into a ballet by Benjamin Zemach and a symphonic poem by Ernest Schelling. Even decades later, during the Vietnam War in 1966, his words were used in the U.S. Congressional Record to comment on the tragedy of conflict.

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