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Top hat

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Top Hat is a celebrated 1935 American musical comedy film.

Top-Hat-Rogers-Astaire
Top-Hat-Rogers-Astaire

It features the iconic dance partnership of Fred Astaire and Ginger Rogers. In the film, Astaire plays Jerry Travers, an American tap dancer. He travels to London to star in a show produced by Horace Hardwick. During his stay, he meets Dale Tremont, played by Rogers. Jerry falls in love with her immediately. The story is filled with comedic misunderstandings and chases through London and Venice. This film remains the most famous work of the Astaire-Rogers partnership.

The production of the film involved a complex series of creative steps. Director Mark Sandrich led the cast and crew through the filming process. The script underwent several revisions to improve the story. Dwight Taylor was the principal screenwriter for this specific project. He was followed by Allan Scott, who performed rewrites. The story may have been inspired by works like "Scandal in Budapest." The final script had to follow rules set by the Hays Office. This resulted in specific dialogue choices, such as the famous line from the character Beddini.

Astaire Rogers Cheek to Cheek
Astaire Rogers Cheek to Cheek

Music played a central role in the film's unique mechanism. Composer Irving Berlin provided the musical score, which was his first complete film score since 1930. Berlin used a specially designed piano that could transpose keys automatically. Because he could not read or write music, he worked with an assistant. Hal Borne served as the rehearsal pianist and helped translate Berlin's ideas. A team of orchestrators, including Max Steiner, supervised the final musical arrangements. Although eight songs were removed to keep the plot moving, the five remaining songs became massive hits. These tracks, including "Cheek to Cheek," helped define the era of American songwriting.

The visual style of the film relied on massive, specialized sets. These were often called "Big White Sets" because of their Art Deco influence. The production designers built a winding canal across two adjoining sound stages. This canal featured staircase bridges and a flat bridge used for dancing. Another major set was a giant piazza representing the Lido of Venice. This area was decorated in bright, candy-cane colors. To create a fantasy effect, the canal waters were dyed black. These sets were expensive to build but were essential to the film's magical atmosphere.

Top Hat was a massive financial success for RKO Pictures. The film cost approximately $620,000 to produce in 1935. After its premiere at Radio City Music Hall, it grossed $3 million. This made it the most profitable film for the studio during the 1930s. It also became the second most successful film at the worldwide box office that year. The film's importance is recognized by the United States National Film Registry. In 1990, the Library of Congress selected it for preservation. This was due to its cultural, historical, or aesthetic significance.

A famous story from the production involves Ginger Rogers' elaborate costume. For the "Cheek to Cheek" routine, Rogers insisted on wearing a dress covered in ostrich feathers. The construction required enormous labor to sew each feather by hand. However, the dress caused problems during the actual dance sequence. As the actors moved, clouds of feathers shed from the fabric. Astaire famously remarked that it looked like a "chicken attacked by a coyote." Despite the chaos, the feathers can still be seen on the dance floor in the final film. Astaire later gave Rogers the nickname "Feathers" as a tribute to this moment.

The legacy of Top Hat extends far beyond its original release. The film's music has been used in many other modern movies. For example, segments of "Cheek to Cheek" appear in films like "The Green Mile" and "The Boss Baby." The American Film Institute has also honored the film on several prestigious lists. It ranks at number 15 on their list of the twenty-five greatest film musicals. Additionally, the song "Cheek to Cheek" is ranked at number 15 on their list of the one hundred greatest songs of American cinema. The film remains a cornerstone of the musical genre.

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File:Top-Hat-Rogers-Astaire.jpg
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File:Astaire Rogers Cheek to Cheek.jpg
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