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Symphony

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A symphony is an extended musical composition in Western classical music. It is most often written for an orchestra, which is a large group of musicians. People value the symphony because it allows for massive musical expression. A symphony usually consists of several distinct sections called movements. While many symphonies have four movements, some contain only three. The first movement often follows a specific structure known as sonata form. Some composers even include vocal parts, such as a choir or solo singers, to expand the work's emotional range.

8th symphony of Mahler, Kölner Philharmonie, 27-6-2009
8th symphony of Mahler, Kölner Philharmonie, 27-6-2009

To create a symphony, a composer must write a musical score. This score is a master document containing every single note for every instrument. However, individual musicians do not play from the full score. Instead, each performer uses a "part," which is a sheet containing only the music for their specific instrument. An orchestra typically includes between 30 and 100 musicians. These performers are divided into four main sections: strings, such as violins and cellos; brass; woodwinds; and percussion.

8th symphony of Mahler, Kölner Philharmonie, 27-6-2009
8th symphony of Mahler, Kölner Philharmonie, 27-6-2009

The word "symphony" has a long and varied history. It comes from the Greek word "symphonia," meaning an "agreement or concord of sound." In ancient Greek theory, it referred to consonance, which is the opposite of dissonance. During the Middle Ages, the term was used for different things. It could describe a two-headed drum or a musical instrument called an organistrum. By the 16th century, the word was even used in Germany to name keyboard instruments like spinets. In the 1500s and 1600s, composers like Giovanni Gabrieli began using the term for collections of sacred vocal works.

8th symphony of Mahler, Kölner Philharmonie, 27-6-2009
8th symphony of Mahler, Kölner Philharmonie, 27-6-2009

During the Baroque era of the 17th century, the term "symphony" or "sinfonia" described many types of music. These included instrumental pieces used in operas, sonatas, or concertos. The "opera sinfonia" was a common three-movement form with fast, slow, and dance-like sections. This structure is considered a direct forerunner to the modern orchestral symphony. In this era, composers did not always specify exactly which instruments should play. For a basso continuo part, a group might use only a cello and harpsichord. If a larger budget was available, they might add lutes or a serpent, which is an early bass wind instrument.

8th symphony of Mahler, Kölner Philharmonie, 27-6-2009
8th symphony of Mahler, Kölner Philharmonie, 27-6-2009

The 18th century was a time of intense growth for the symphony. In cities like Vienna, many noble families supported musical establishments. This provided work for composers like Joseph Haydn, who began his career in 1757. Early symphonies were often "string symphonies" using only four parts: first violin, second violin, viola, and bass. Over the century, the orchestra expanded to include horns, oboes, flutes, clarinets, trumpets, and timpani. Haydn was incredibly productive, writing at least 106 symphonies over 36 years. Mozart was also a major figure, composing at least 47 symphonies in 24 years.

8th symphony of Mahler, Kölner Philharmonie, 27-6-2009
8th symphony of Mahler, Kölner Philharmonie, 27-6-2009

In the 19th century, Ludwig van Beethoven changed the genre forever. He moved the symphony away from being an everyday musical form. He turned it into a supreme form where composers reached for the highest musical potential. His Third Symphony, the "Eroica," expanded the scope and ambition of the genre. His Fifth Symphony is famous for its transition from a stormy opening to a triumphant finale. Beethoven also wrote the Ninth Symphony, which included a choir. This was a "choral symphony," a type of work that uses voices alongside the orchestra.

8th symphony of Mahler, Kölner Philharmonie, 27-6-2009
8th symphony of Mahler, Kölner Philharmonie, 27-6-2009

Following Beethoven, many composers explored different symphonic styles. Franz Schubert wrote the famous "Unfinished" Eighth Symphony, which only has two completed movements. Felix Mendelssohn and Robert Schumann continued to write in the classical style. However, Hector Berlioz preferred "programmatic" works. These are symphonies that tell a specific story or describe a scene. For example, his "Symphonie fantastique" includes musical imitations of birds and storms. He even wrote a "band symphony" for a 200-piece military band. These diverse approaches show how the symphony remains a powerful way to connect music to human experience.

8th symphony of Mahler, Kölner Philharmonie, 27-6-2009
8th symphony of Mahler, Kölner Philharmonie, 27-6-2009
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