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Sahasranama

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"text": "The term Sahasranama is a Sanskrit word meaning \"a thousand names.\" It refers to a specific genre of stotra literature. A stotra is a devotional song or text used for praise. These texts are usually titled after a specific deity. For example, the Vishnu Sahasranama is a list of one thousand names for the deity Vishnu. These names act as epithets, which are descriptive titles. They serve to remember the deity through their specific attributes. A Sahasranama provides a terse list of virtues, legends, and qualities.

\n\nThese lists function through a complex system of attributes and symbolism. A Sahasranama does not just list names; it describes the essence of a deity. For instance, the Vishnu Sahasranama includes attributes like work and jñāna-yājna. Jñāna-yājna refers to the offering of knowledge. Similarly, the Lalita Sahasranama includes energies that manifest in individuals. These energies include desire, wisdom, and action. Some lists also include the names of other deities. This practice may suggest henotheistic equivalence. This means the names of other gods are viewed as attributes of the main deity.

\n\nThere are different types of devotional name lists used in Dharmic religions. The most common type is the Sahasranama, which contains one thousand names. However, there are also much shorter versions. These shorter stotras contain only 108 names. The number 108 is considered a sacred number in many Dharmic traditions. These shorter lists are called ashtottara-shata-nāma. Practitioners use these names in several distinct ways. They may use sravana, which is the act of listening to the names. They may also use nama-sankirtana, which is reciting names through music.

\n\nOther methods of engagement include smarana and archana. Smarana involves the mental act of recalling divine deeds and teachings. Archana is a form of worship using ritual repetition of the names. The history of these texts shows they are often medieval in origin. Many Sahasranamas are not found in the earliest Samhita manuscripts. Instead, they appear in later versions of various Samhitas. A significant historical example is the 12th-century work by Parasara Bhattar. He wrote the Vishnu Sahasra-namam Bhasya, which is a commentary on the Vishnu Sahasranama.

\n\nIn Hinduism, several famous Sahasranamas exist across different traditions. The Vishnu Sahasranama is very popular. Its most well-known version is found in the Anushasana Parva of the Mahabharata. The Shiva Sahasranama is also located in the Anushasana Parva. There are seven other versions of the Shiva list. One scholarly work, the Śivasahasranāmakoṣa, is a dictionary of these names. It compares eight different versions of the Śivasahasranāmāstotra. The Lalita Sahasranama is a Shaktist stotra. While Vishnu and Shiva lists are popular everywhere, the Lalita version is mostly chanted in South India.

\n\nDifferent religious groups have specific preferences for these texts. The Ganesha Sahasranama is found in the Ganesha Purana. It is mainly chanted by those who follow the Ganapatya tradition. Bengalis often choose to chant the Kali Sahasranāma. There is

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