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Robert Duncan (poet)

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Robert Duncan was a major American poet and intellectual who shaped much of 20th-century literature.

Robert Duncan (1968) (cropped)
Robert Duncan (1968) (cropped)

He is often identified with the New American Poetry and the poets of Black Mountain College. His work was deeply connected to the San Francisco Renaissance, a significant cultural movement. Duncan viewed his poetic tradition as emerging from the influences of Ezra Pound, William Carlos Williams, and D. H. Lawrence. He was a figure whose presence reached into many areas of popular culture. His influence extended to the Beat Generation and the political upheavals of the 1960s. Today, his impact is seen in both mainstream and avant-garde writing styles.

Duncan's life began with a series of unique and fated circumstances in Oakland, California. He was born on January 7, 1919, to Marguerite Pearl Duncan. Because his mother died during his birth, he was later adopted by Edwin and Minnehaha Symmes in 1920. The Symmes family were devout Theosophists, a group interested in spiritual and occult traditions. Their adoption of Duncan involved specific astrological requirements. They required that he be born at a certain time and place. They also required that his mother die shortly after birth and that he be of Anglo-Saxon Protestant descent. He was originally named Robert Edward Symmes before his identity became more complex.

His education and early adulthood were marked by political and social shifts. After his adoptive father died in 1936, Duncan began studying at the University of California, Berkeley. He developed a reputation as a bohemian and started writing poems influenced by left-wing politics. In 1938, he briefly attended Black Mountain College. However, he left the school following a dispute with the faculty regarding the Spanish Civil War. During his time at Berkeley, he met several people who would become part of his social circle. These included individuals like Pauline Kael and Virginia Admiral. His early life laid the groundwork for his later role as a shamanistic figure in artistic circles.

Duncan was also a pioneering figure regarding sexual identity and social justice. Long before the Stonewall era, he chose to be open about his homosexuality in both personal and public life. In 1944, he published a landmark essay titled "The Homosexual in Society" in the journal *politics*. In this treatise, Duncan compared the experiences of homosexuals to those of African Americans and Jews. This essay appeared a full decade before the emergence of organized gay rights movements, such as the Mattachine Society. It made him one of the first prominent Americans to reveal his homosexuality publicly. His bravery in this matter made him a key figure in pre-Stonewall gay culture.

His personal relationships often involved deep creative collaboration. In 1938, he entered a long-term, marriage-like relationship with Ned Fahs. Even after Fahs married a woman in 1941, Duncan continued to write poetry about him for twenty years. Later, in 1950, Duncan met the artist Jess Collins. The two men took marriage vows in January 1951 and moved in together. Their partnership lasted 37 years until Duncan's death in 1988. During their time together, they collaborated on various creative projects. This partnership was a central part of his life in the San Francisco area.

During the 1960s, Duncan reached a period of great artistic and critical success. He published three of his most significant books during this decade. These were *The Opening of the Field* in 1960, *Bending the Bow* in 1968, and *Roots and Branches* in 1969. His poetry style was a complex blend of different traditions. It was modernist in its use of mythic and impersonal themes. At the same time, it was Romantic in its focus on the organic and the irrational. He described the process of poetry as something that feeds upon thought, feeling, and impulse. He saw the poem as a spiritual urgency, much like salmon running upstream.

After the publication of *Bending the Bow*, Duncan made a personal vow to avoid publishing for fifteen years. This period of quiet is noted by his friend and fellow poet Michael Palmer. His legacy is preserved through extensive collections of his work. Starting in January 2011, the University of California Press began publishing *The Collected Writings of Robert Duncan*. The series was intended to include six volumes. So far, four volumes have been released, including *The H.D. Book* and *The Collected Early Poems and Plays*. These volumes ensure that his essays, prose, and poems remain available to scholars and readers worldwide.

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