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Ricky Jay

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Ricky Jay was a versatile American performer who mastered many different crafts. He was a stage magician, an actor, and a writer. He was most famous for his incredible sleight of hand. This is a technique where a performer uses very fast, precise hand movements to hide objects or manipulate items. Many experts considered him perhaps the most gifted sleight of hand artist alive. Beyond his manual dexterity, he was known for card tricks, memory feats, and his stage patter. Stage patter is the spoken part of a magic act used to engage an audience.

Ricky Jay on The Secret Cabaret
Ricky Jay on The Secret Cabaret

Jay's magic performances included extraordinary physical feats that relied on extreme precision. He was a master of card throwing, a skill where a performer flicks a playing card with great speed. He was formerly listed in the Guinness World Records for throwing a card 190 feet. He could even throw a playing card into a watermelon rind from ten paces away. In some shows, he would toss a card into the air like a boomerang. He would then use giant scissors to cut the returning card cleanly in half. He even used these thrown cards to attack plastic animals as part of his act.

His career began at a remarkably young age. Born in Brooklyn, New York, in 1946, Jay was introduced to magic by his grandfather, Max Katz. Max was an amateur magician and a certified public accountant. Ricky Jay performed his first public magic act in 1953 at age seven. This performance was on a television program called Time for Pets. He was likely the youngest magician to ever perform a full act on television. During the 1960s, he performed at the Electric Circus in New York. There, he appeared on bills alongside famous musical acts like Ike and Tina Turner.

Jay was also a prolific actor in many famous movies and television shows. He had a long professional relationship with the playwright and director David Mamet. Mamet directed several of Jay's one-man magic shows and cast him in many films. Notable acting credits include the film The Prestige, where he played a character named Milton. He also appeared in movies like Boogie Nights, Magnolia, and Tomorrow Never Dies. In the James Bond film Tomorrow Never Dies, he played a henchman named Henry Gupta. He also had a recurring role in the HBO western drama Deadwood, playing a card sharp named Eddie Sawyer.

Because of his deep knowledge, Jay worked as a highly specialized consultant for Hollywood. He and Michael Weber formed a firm called Deceptive Practices. Their goal was to provide arcane knowledge on a need-to-know basis for film and stage productions. They helped solve difficult production challenges through creative invention and historical expertise. For the movie Forrest Gump, they designed a wheelchair that hid the character's legs. For the film Congo, they created a glass that appeared to drink itself. They also designed an illusion for the Broadway production of Angels in America: Perestroika. This illusion featured a man climbing a ladder of light before vanishing in midair.

Jay was a dedicated historian and collector of the magical arts. He was a student and friend of Dai Vernon, who was a famous contributor to magic. Jay collected rare books, manuscripts, and artifacts related to magic and gambling. He also studied the history of frauds and confidence games. He authored eleven books, including one titled Cards as Weapons. His expertise led him to give many lectures at prestigious universities. He spoke at Harvard, Princeton, and Brown University. He even gave a talk on magic and science at a TED Conference.

His contributions to the study of illusion extended to many museums and libraries. He worked with the Mulholland Library of Conjuring and the Museum of Jurassic Technology. In 1999, he guest-curated an exhibit at the Harvard Theater Collection. This exhibit was titled The Imagery of Illusion: Nineteenth Century Magic and Deception. He also loaned items from his collection to the Getty Center and the Metropolitan Museum of Art. Jay died on November 24, 2018, at the age of 72. He left behind a massive legacy as a scholar, performer, and expert in the art of deception.

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