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No. 5, 1948

arts Maturity 11-13 Next article →

No. 5, 1948 is a significant painting created by the American artist Jackson Pollock. Pollock was a key figure in the abstract expressionist movement. This movement focused on expressing emotions through non-representational forms. Instead of painting recognizable objects like trees or people, these artists used color and gesture. This specific work is a massive example of that style. It represents a major moment in the history of modern art.

The physical construction of the piece is quite specific. Pollock used a surface called fibreboard, which is also known as composition board. The dimensions of this board are 8 feet by 4 feet. To apply his colors, Pollock utilized liquid paints. Specifically, he used synthetic resin paints, which are a type of gloss enamel. In the world of art classification, these are often grouped with oil paints. He applied grey, brown, white, and yellow paint using a drizzling technique. This method creates a visual effect that many observers describe as a "dense bird's nest."

The history of this painting includes a dramatic moment of damage and repair. In January 1949, the work was displayed during a solo show at the Betty Parsons gallery. During this time, a collector named Alfonso A. Ossorio decided to purchase the piece. He paid $1,500 for the composition. However, the painting was damaged during the moving process. According to artist Grace Hartigan, a lump of paint fell from the center of the work. This occurred while the painting was being handled by a shipping company.

Pollock took action to address the damage before the painting reached its new owner. He used paint to patch the damaged area. Ossorio eventually noticed a smear on the surface of the work. He described it as a portion of paint that had slid, looking like the skin from the top of an opened paint can. This created a nondescript smear amidst the otherwise clear lines. Pollock offered to fix the error, but he chose a much more radical solution. He decided to repaint the entire work from scratch.

After three weeks of work, Ossorio visited Pollock's studio to see the result. He found that the painting had been completely redone on fibreboard. Rather than being upset, Ossorio was impressed by the new version. He noted that the painting possessed new qualities of richness and depth. He felt the original concept was still present but was now fulfilled by a new complexity. Ossorio described the finished work as a masterful display of disciplined vision and control.

Since its creation, the painting has become one of the most valuable artworks in the world. In May 2006, the painting was sold by David Geffen. Geffen was the founder of Geffen Records and a co-founder of DreamWorks SKG. The painting was sold in a private sale for $140 million. At that time, this was a record-breaking price for a painting. While there were reports regarding the buyer, a law firm named Shearman & Sterling clarified that a man named David Martinez did not actually own the painting. This sale marked a massive milestone in the art market.

No. 5, 1948 continues to influence popular culture and modern discussions. The musical group The Stone Roses included a reference to the painting in their song "Going Down." Additionally, the band's guitarist, John Squire, created cover art that mimicked Pollock's style. The painting also appears in the 2015 film Ex Machina. In the movie, a character uses the painting to discuss the nature of consciousness. He suggests that Pollock's art exists because he painted things he did not already know. This connects the artwork to deeper ideas about how we learn and perceive the world.

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