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Koes Plus

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Koes Plus was a legendary musical group from Indonesia. They were incredibly successful during the 1960s and 1970s. The band is considered one of the country's most classic musical acts. They specialized in delivering stripped-down pop and rock songs. Much of their fame came before private television existed in Indonesia. Instead, they reached huge audiences through the state station, TVRI. Their music helped define the sound of an era.

The group began as a family act called Koes Bersaudara, or Koes Brothers. They originated from the Bojonegoro-Tuban area in East Java. The original lineup consisted of five brothers: John, Yok, Yon, Nomo, and Tonny Koeswoyo. In the early 1960s, they pioneered a Beatles-influenced rock and roll subculture. This was a controversial move at the time. President Sukarno had banned such subcultures in the early 1960s. In 1965, the brothers were arrested by the Highest Operation Commando, known as KOTI. They were detained for performing covers of Beatles songs. They were released on September 29, just before a national coup d'état. This difficult period inspired their song "Di Dalam Bui."

A major transition occurred in 1969 when drummer Nomo left the group. The band invited a musician named Murry to fill the role. This decision caused an internal uproar within the group. People were used to seeing the band as a strictly family act. To resolve this feud, the band changed their name to Koes Plus. This new name represented the Koeswoyo brothers plus the outsider, Murry. Music historians believe Murry changed their sound significantly. His heavy drumming led the band to include more rock tunes. This was a shift from their previous, ballad-heavy albums.

Despite their fame, the band faced many early struggles. Record companies frequently rejected them during their early days. Murry even temporarily quit the band out of frustration. During this time, he distributed their records for free and joined other acts. The band only gained considerable fame once their songs played on the state radio network. Even at their peak, the band did not own legal rights to their work. They received a flat payment of approximately 3 million rupiahs for each album. Because they did not receive royalties, they earned no extra money when their music was reproduced. However, this allowed labels to produce a huge number of albums for them.

The musical legacy of Koes Plus is massive and well-documented. In 2007, Rolling Stone Indonesia recognized their immense impact. The magazine placed six of their studio albums on a list of the 150 Greatest Indonesian Albums of All Time. These albums included "Dheg Dheg Plas" from 1969, which ranked at number 4. "To The So Called The Guilties" from 1967 reached number 6. Their 1964 album "Koes Bersaudara" was number 14. Other honored albums were "Koes Plus Volume 2" (number 21), "Koes Plus Volume 4" (number 30), and "Koes Plus Volume 5" (number 38). These rankings prove their lasting importance to Indonesian culture.

Their individual songs also achieved legendary status. Rolling Stone Indonesia included ten of their songs in the 150 Greatest Indonesian Songs of All Time list. "Bis Sekolah" from 1964 held the number 4 spot. "Kembali Ke Jakarta" from 1969 was number 6. Other notable tracks included "Nusantara I" (number 19), "Kolam Susu" (number 31), and "Bunga Di Tepi Jalan" (number 80). The list also featured "Kelelawar" (number 83), "Manis dan Sayang" (number 88), "Pelangi" (number 92), "Jemu" (number 100), and "Di Dalam Bui" (number 126). This wide range of successful songs shows their versatility.

Today, the influence of Koes Plus extends into many different musical genres. They recorded albums in various styles, including Pop Melayu, Pop Jawa, and Pop Keroncong. They even explored genres like Reggae, Disco House Music, and Qasidah. Their discography is vast, spanning from the early 1960s through many decades. They remain so culturally significant that they were honored on a 2020 Indonesian stamp.

Koes Plus 2020 stamp of Indonesia
Koes Plus 2020 stamp of Indonesia

Their journey from a family band to a national icon remains a vital part of Indonesian history.

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File:Koes Plus 2020 stamp of Indonesia.jpg
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