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Kamal-ol-molk

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Kamal-ol-molk was a highly influential Iranian painter who helped shape modern Iranian art.

DushanTappe
DushanTappe

Born Mohammad Ghaffari in 1848 in Kashan, he belonged to a family with deep artistic roots. His family lineage included notable painters dating back to the reign of Nader Shah. His father, Mirza Bozorg Ghaffari Kashani, founded Iran's painting school. His uncle, Abu'l-Hasan Sani al-Mulk, was a celebrated watercolor portraitist. Even his brother, Abu Torab Ghaffari, was a distinguished artist. This environment allowed Mohammad to develop a passion for calligraphy and painting from a very young age.

To advance his skills, Ghaffari moved to Tehran to attend Dar-ul-Funun. This was a modern institute of higher learning in Persia. He studied painting there for three years under Mozayyen-od-Doleh. This teacher was a well-known painter who had studied Western art in Europe. During his education, Ghaffari was known as Mirza Mohammad Kashi. His talent eventually caught the attention of Naser al-Din Shah Qajar. The Shah invited him to the royal court and granted him a prestigious title. This title was "Kamal-ol-Molk," which translates to "Perfection on Land."

During his time at the royal court, Kamal-ol-molk entered a very productive period. He produced over 170 paintings while serving the Shah. His subjects included landscapes, royal camps, and hunting grounds. He also painted portraits of important figures and scenes within royal palaces.

Mirror Hall by Kamal-ol-molk
Mirror Hall by Kamal-ol-molk

To improve his craft, he focused heavily on oil painting techniques. He even taught himself the laws of perspective to create depth. He was recognized for his mastery of the delicate brush and his use of bright, lively colors. Unfortunately, many of these significant works were later destroyed or moved abroad.

Following the death of Naser al-Din Shah, Kamal-ol-molk sought new ways to improve his art. In 1898, at the age of 47, he traveled to Europe. He stayed there for approximately four years to study different styles and techniques. He visited many European museums to observe the masters. He studied artists such as Raphael and Titian, even adapting some of their works. He also spent time copying the works of Rembrandt, including "Self Portrait," "Jonah," and "Saint Matthew." He returned to Iran in 1902 and eventually served as court painter to five different shahs.

Political changes later forced Kamal-ol-molk to leave Iran for Iraq. He felt increasing pressure from the court of Mozaffar ad-Din Shah Qajar. Despite his affection for Iran, he moved to Iraq for a two-year period. The holy cities he visited during this time provided new inspiration for his art. He created magnificent works during this era, such as "Karbala-ye-Moalla Square" and "Baghdad Jewish Fortune Tellers." He eventually returned to Iran to join the Constitutionalists due to his opposition to the previous government. This period resulted in portraits like "Commander Asa'd Bakhtiari."

After the Constitutional Movement, Kamal-ol-molk established the Sanaye Mostazrafeh Art School. This institution is better known as the Kamal-ol-Molk Art School. He wanted to find and educate new talents in a respectful environment. The school aimed to revive dying fine arts by teaching more than just painting. He introduced students to carpet weaving, mosaic designing, and woodwork.

Kamal-al-molk-ghabr
Kamal-al-molk-ghabr

His goal was to provide a complete education in various crafts and arts.

Kamal-ol-molk was known for being a very kind and dedicated teacher. He did not only teach technical skills, but also emphasized love, morals, and humanity. He often stayed late at the school to assist his students. He even used a portion of his own monthly salary to support students who were poor. This dedication to his students and his country left a lasting legacy. He passed away in 1940. His mourners, including his family and close friends, marched his body to be laid next to the tomb of the Sufi poet, Attar.

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