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John Pule

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John Puhiatau Pule is a highly influential Niuean artist, novelist, and poet. He is recognized as one of the most significant artists from the Pacific region. Pule uses his creative talents to explore the complex relationship between different cultures. His work often focuses on the experience of Niuean people living in New Zealand. Through his art, he explores themes of migration and the concept of identity. He views his writing as a way of "decolonizing his mind." This means he uses words to reclaim his own cultural perspective.

Pule creates his work through several different artistic processes. He produces paintings on canvas and creates detailed drawings. He also engages in printmaking, film-making, and performance art. One unique method he uses is painting on bark cloth. This is a traditional Polynesian artform known as hiapo. In 2005, he co-wrote a study titled *Hiapo: Past and present in Niuean barkcloth*. This book explores the history and practice of this traditional medium. By using both modern and traditional tools, he connects different eras of Niuean history.

His literary career began with a desire to organize his personal experiences. He wanted to write about growing up in New Zealand as the youngest of 17 children. He also wanted to document the experience of migration. His first novel, *The Shark that Ate the Sun* (Ko E Mago Ne Kai E La), was published in 1992. This book explores his early life and the immigrant experience. He followed this with the novel *Burn My Head in Heaven* (Tugi e ulu haaku he langi) in 2000. His third novel, *Restless People* (Tagata kapakiloi), was released in 2004.

Pule is also a prolific poet with many published collections. His early poetry includes *Sonnets to Van Gogh and Providence* (1982). He later published *Flowers after the Sun* (1984) and *The Bond of Time: An Epic Love Poem* (1985). The latter work has seen multiple editions, including a third edition in 2014. His poetry has been featured in group curations like *UPU*. This collection of Pacific Island writers was presented at the Auckland Arts Festival in 2020. It was also shown at the Kia Mau Festival in Wellington in 2021.

The artist's life has been marked by significant academic and professional honors. In 2000, he served as the University of Auckland Literary Fellow. In 2002, he held a visiting writer's residency at the University of Hawaiʻi. He also received an art residency in Basel, Switzerland, in 2005. In 2004, he received the Laureate Award from the Arts Foundation of New Zealand. In 2012, he was appointed an Officer of the New Zealand Order of Merit. This honor recognized his extensive services as an author, poet, and painter.

Pule's artwork addresses deep social and spiritual questions. He explores Niuean cosmology and the influence of Christianity. He also addresses the impacts of colonialism and migration. His work *The Pulenoa Triptych* examines themes of cultural identity. Some of his pieces express political concerns regarding global powers. For example, he has used his art to comment on nuclear testing in the Pacific. His painting *Tukulagi tukumuitea* (Forever and ever) was featured on an exhibition catalogue in 2006.

Today, Pule's work is preserved in many important international collections. You can find his pieces in the Queensland Art Gallery in Brisbane. His art is also held by the National Gallery of Australia in Canberra. Other major institutions include the Auckland Art Gallery Toi o Tamaki and the Museum of New Zealand Te Papa Tongarewa. His work even reaches Europe, appearing in the National Museum of Scotland. These collections ensure that his exploration of Pacific identity remains available to the world. His life's work bridges the gap between his Niuean roots and his life in Aotearoa.

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