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Keri Hulme

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Keri Ann Ruhi Hulme was a distinguished New Zealand novelist, poet, and short-story writer.

Keri Hulme with a tiny catch of whiebait
Keri Hulme with a tiny catch of whiebait

Her literary work explored complex themes like isolation and multicultural identity. She also drew inspiration from Māori, Celtic, and Norse mythology. Hulme was a trailblazer in the literary world. She achieved international recognition for her unique voice and storytelling. She even used the pseudonym Kai Tainui for some of her published works.

Hulme's writing process was deeply connected to her personal experiences and even her subconscious. She often found inspiration for her characters within her dreams. For instance, she first dreamt of a mute, long-haired boy when she was 18. This character eventually became a central figure in her most famous novel. She also spent years developing her ideas through notes and drawings. This careful preparation allowed her to build rich, meaningful worlds for her readers.

Her most significant achievement was the publication of her novel, *The Bone People*. She submitted the manuscript to various publishers over a period of 12 years. It was finally accepted by the Spiral Collective, a feminist literary and arts collective. The book was published in February 1984. It won the 1984 New Zealand Book Award for Fiction. In 1985, it won the prestigious Booker Prize. Hulme was the first New Zealander to win this award. She was also the first writer to win it for a debut novel.

The 1985 Booker Prize ceremony was a historic moment for New Zealand literature. Because Hulme could not attend, three women from the Spiral Collective accepted the award for her. These women were Irihapeti Ramsden, Marian Evans, and Miriama Evans. During the ceremony, Ramsden and Miriama Evans wore Māori korowai, which are traditional feathered cloaks. They walked to the podium arm in arm with Marian Evans, who wore a tuxedo. As they approached, they performed a Māori karanga, a ceremonial call. This moment highlighted the multicultural identity that Hulme often explored in her writing.

Hulme's upbringing was defined by a diverse heritage. Her father was a carpenter of English descent from Lancashire. Her mother was of Orkney Scots and Māori descent, specifically from the Kāi Tahu and Kāti Māmoe iwi. Hulme described her family as coming from many different people. This included Faroese and Norwegian migrants as well. This rich background likely influenced her interest in various mythologies and cultural identities. She grew up in Christchurch and attended Aranui High School.

Before becoming a full-time writer, Hulme held many different jobs. These roles provided her with a wide range of life experiences. She worked as a tobacco picker in Motueka. She also worked as a fish-and-chips cook and a winder at a woollen mill. Other jobs included being a mail deliverer and a pharmacist's assistant. She even worked as an assistant television director for shows like *Country Calendar* and *Play School*. These varied experiences contributed to the depth of her observations about human life.

In 1973, Hulme won a land ballot for a plot in Ōkārito. This is a remote coastal settlement in South Westland on the South Island. She built an octagonal house on this land. She lived there for nearly 40 years. Hulme was a strong advocate for the area. She opposed plans to develop the settlement with more housing or tourist facilities. She believed the settlement deserved special government protection. This connection to the land was a major part of her adult life.

Hulme's literary career included several other notable works. She wrote a collection of short stories titled *Te Kaihau: The Windeater*. She also co-edited *Te Whenua, Te Iwi/The Land and The People*. Her autobiography is titled *Homeplaces: Three Coasts of the South Island of New Zealand*. Toward the end of her life, she worked on "twinned novels" titled *BAIT* and *On the Shadow Side*. Hulme passed away from dementia in Waimate on 27 December 2021. She was 74 years old.

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