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Enūma Eliš

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The Enūma Eliš is a foundational Babylonian creation myth from the late second millennium BCE. It serves as the most complete surviving account of ancient Near Eastern cosmology, which is the study of the origin and structure of the universe. The title is an incipit, meaning it is named after its opening words, "When on High." This epic was recorded in Akkadian using Sumero-Akkadian cuneiform script. Cuneiform is a system of writing characterized by wedge-shaped marks made on clay tablets.

The text is organized across seven clay tablets. Each tablet contains between 115 and 170 lines of text. In total, the myth spans approximately one thousand lines. While most of the text is nearly complete, a significant lacuna, or gap, exists in Tablet V.

The narrative follows a specific sequence of divine events and cosmic transformations. It begins in a primordial state where only two entities existed: Apsu and Tiamat. These two beings co-mingled in a state of abyssal darkness and water. From their union, several generations of gods were born, including Lahmu, Lahamu, Anshar, and Kishar. Eventually, the god Anu produced Nudimmud, also known as Ea. The activity and noise of these new gods caused great disturbance to Apsu. Seeking to restore quiet, Apsu planned to destroy the younger gods. However, Ea used a magical spell to lull Apsu to sleep.

Ea then slew Apsu and took his position. From the heart of Apsu, Ea and his wife Damkina produced the powerful god Marduk. Marduk's splendor was so great that Ea referred to him as "the Sun."

The myth is structured into several distinct thematic parts. According to the scholar L.W. King, the composition consists of five primary sections. The first part covers the birth of the gods. The second part relates the legend of Ea and Apsu. The third part details the Tiamat primeval serpent myth. The fourth part describes the actual account of creation. Finally, the fifth part is a long hymn or praise of Marduk. This hymn uses approximately fifty different titles to honor him across more than one hundred lines of cuneiform.

These sections work together to explain the transition from chaos to a structured world.

The history of the Enūma Eliš is tied to important archaeological discoveries in the 19th century. In 1849, English archaeologist Austen Henry Layard recovered fragments from the ruined Library of Ashurbanipal. This library was located at Nineveh, near modern-day Mosul, Iraq. In 1876, the Assyriologist George Smith published the first form of the myth. Smith worked with roughly 20,000 fragments found by Hormuzd Rassam. Through his research, Smith identified connections between these Babylonian myths and Assyrian versions. He also discovered a Babylonian deluge myth, which is a story about a great flood.

His work drew immense attention to the tablets because of perceived similarities to Biblical accounts.

Scholars have debated the exact timing of the myth's origin. While some once thought it was composed during the reign of Hammurabi, most modern scholars associate it with the Second Dynasty of Isin. This period saw the rise of Marduk as the king of the gods. This shift may have been triggered by Nebuchadnezzar I returning the statue of Marduk from Elam. The text might have been recited during the Akitu festival, a significant Babylonian celebration. Some late Assyrian versions of the text even replace Marduk with the god Ashur.

These variations show how the myth could change based on the political or religious needs of a culture.

Specific details within the tablets provide deep insight into ancient views of humanity. The text describes the creation of man as a result of divine blood. In some versions, Marduk creates humans, but German excavations between 1902 and 1914 revealed that in Ashur texts, the god Kingu was killed to make man. His blood was mixed with the Earth's soil to create people. These humans were destined to serve the Mesopotamian deities. The myth also explains the creation of the stars, the Sun, the Moon, and the planets. Even the rivers Tigris and Euphrates are described as being part of this created order.

The Enūma Eliš connects to broader fields of study, including linguistics, history, and comparative religion. Researchers compare the creation of humans in this myth to the Book of Genesis in the Bible. For example, the use of bone and blood in creation stories provides a point of comparison for scholars. The myth also provides a window into the complex social and political structures of ancient Mesopotamia. By studying the rise of Marduk, historians can track the shifting power of different city-states. Today, the text remains a vital subject of active research and analysis in the 21st century.

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