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Domenico Scarlatti

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Giuseppe Domenico Scarlatti was a highly influential Italian composer of the Baroque era.

While his work is rooted in the Baroque period, it helped lead the way toward the Classical style. He is most famous today for his massive collection of 555 keyboard sonatas. These pieces were primarily written for the harpsichord or the early pianoforte. Scarlatti's music is celebrated for its incredible variety and technical skill. He could move between deeply serious moods and light, humorous tones with ease. His compositions often sound like courtly dances or even simple street songs.

Scarlatti's musical career was built on a foundation of rigorous training and royal service. He was born in Naples in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. As the sixth of ten children, he began his studies under his father, Alessandro Scarlatti.

He eventually served as an organist at the Chapel Royal of Naples. Later, he worked in Rome as the maestro di cappella for the exiled Polish queen, Marie Casimire. In this role, he composed operas and serenatas for her private theatre. He also composed religious works, such as a Stabat Mater for ten voices.

His life was defined by long periods of traveling and working for European royalty. In 1719, he moved to Lisbon to serve King John V of Portugal. He acted as musical director for the king and taught music to the royal family.

In 1733, Scarlatti moved to Madrid to serve as a music master to Princess Maria Barbara. She eventually became the Queen of Spain. Scarlatti remained in Spain for the final 25 years of his life. During this time, he composed many of his most famous keyboard sonatas. He also befriended the famous castrato singer Farinelli, who was also under royal patronage.

Scarlatti's sonatas are technically unique and often use complex musical structures. Most of these pieces are single movements written in binary form. A notable feature is a device called the "crux," a term used by musicologist Ralph Kirkpatrick. The crux is a pivotal point in the middle of a sonata. Before this point, the music focuses on thematic variety. After the crux, the music uses repetitive figurations as it moves between different keys.

This structure helps guide the listener through the piece's harmonic changes.

One of the most striking aspects of his music is the influence of Iberian culture. While living in Portugal and Spain, Scarlatti incorporated elements of local folk music. He used the Phrygian mode, which includes tonal inflections unusual in standard European art music.

His writing also mimics the sound of the Spanish guitar. He achieved this by using repetitive notes and specific patterns. He was also known for his "harmonic audacity." This means he used discords and unexpected modulations to remote keys to create tension.

During his lifetime, Scarlatti published very little of his music. His only major publication was a collection called Essercizi per Gravicembalo in 1738. This book contained 30 keyboard sonatas and was well received across Europe.

In England, musicians even formed a "Scarlatti sect" to champion his talent. Since then, his unpublished works have slowly appeared in print. Scholars use different numbering systems to organize them. The K. numbers, created by Kirkpatrick, are the most common. Other systems include the L. numbers by Alessandro Longo and the P. numbers by Giorgio Pestelli.

Scarlatti's legacy is visible in the works of many legendary composers. Great musicians like Mozart, Beethoven, and Brahms all admired his skill.

His ability to mix different levels of musical discourse helped bridge the gap between musical eras. Even today, his 555 sonatas remain a staple for concert pianists and harpsichordists. His impact is so lasting that a minor planet, 6480 Scarlatti, was named in his honor. He died in Madrid at the age of 71, leaving behind a vast and varied musical treasure.

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