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Dmitri Prigov

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Dmitri Aleksandrovich Prigov was a highly versatile Russian artist and writer. He was a central figure in the Moscow Conceptualist movement. This was an unofficial school of art that began in the 1960s. Conceptualism often uses performance as a primary way to create art. Prigov was a prolific creator who produced nearly 36,000 poems by the year 2005. His work spanned many different creative fields. He was a poet, a sculptor, and an architect. He also worked with video art, musical performance, and installations.

Prigov used many different tools to express his ideas. He was professionally trained as a sculptor at the Stroganov Art Institute in Moscow. He also worked as an architect and designed sculptures for municipal parks. His creative methods were often unusual and physical. For example, he was known for writing verse on tin cans. He also engaged in "street actions," which were public performances. In one instance, he handed poetic texts to people passing by on the street. These actions turned everyday life into a space for art.

Much of Prigov's career took place during the Soviet era. During this time, his poetry was not officially published in stores. Instead, it was circulated underground through a system called Samizdat. Samizdat allowed people to share literature privately despite official restrictions. His work was also widely published in Slavic studies journals and émigré publications. This helped his ideas reach an international audience even while he was restricted at home. This underground circulation was vital for the survival of his artistic voice.

Prigov faced significant challenges from the state during his career. In 1986, the K.G.B. arrested him following one of his street performances. He was sent to a psychiatric institution for a period of time. However, he was eventually freed due to protests by other poets, such as Bella Akhmadulina. After 1987, his career moved into the official public sphere. He had been a member of the Artists' Union since 1975. In 1991, he joined the Writers' Union.

His work eventually received widespread recognition and many prestigious awards. In 1987, he participated in the "Unofficial Art" and "Modern Art" exhibitions in the USSR. In 1988, he held a personal exhibition at Struve's Gallery in Chicago. He won the Pushkin Prize of the Alfred Toepfer Stiftung F.V.S. in 1993. Later, in 2002, he was awarded the Boris Pasternak Prize. In 2011, the Hermitage Museum presented a major exhibition of his art during the 54th Biennale in Venice.

Prigov also contributed deep philosophical ideas to Russian culture. Together with the philosopher Mikhail Epstein, he introduced the concept of "new sincerity," or *novaia iskrennost'*. This concept was a response to the sense of absurdity in late Soviet and post-Soviet culture. He also spoke of a "shimmering aesthetics." This aesthetic is defined by the interaction between the author's sincerity and the style being used. His intellectual work helped people navigate the changing social landscape of his time.

Prigov's legacy remains visible through his many different artistic forms. He wrote novels such as *Live in Moscow* and *Only My Japan*. His visual art is held in collections like the Moscow Museum of Modern Art. Even his final planned performance was quite dramatic. He intended to sit in a wardrobe and read poetry while being carried up 22 flights of stairs. He died from a heart attack in Moscow in 2007 at the age of 66. His life remains a major study in how art interacts with politics and society.

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