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Syl Cheney-Coker

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Syl Cheney-Coker is a prominent poet, novelist, and journalist from Freetown, Sierra Leone. Born on June 28, 1945, he belongs to the Creole people of his home nation. His literary career is defined by a global perspective and a deep connection to the experience of exile. Exile occurs when a person is forced to live away from their native country. Much of Cheney-Coker's adult life has been spent outside of Sierra Leone. This displacement has shaped his writing, which often explores the condition of living abroad. He examines how Africa is viewed by those living in the African diaspora.

Cheney-Coker's education allowed him to integrate diverse literary traditions into his work. He moved to the United States in 1966 to pursue higher education. He attended the University of California, Los Angeles, the University of Oregon, and the University of Wisconsin–Madison. These experiences provided him with a global sense of literary history. He eventually introduced various styles and techniques from French and Latin American literatures to Sierra Leone. This cross-cultural influence makes his work distinct from many of his contemporaries. He seeks to bridge the gap between local traditions and international literary movements.

His professional journey has taken him across several continents. In 1975, he accepted a teaching position at the University of the Philippines. He later moved to Nigeria in 1977 to teach at the University of Maiduguri. In 1988, he returned to the United States to serve as a Writer-in-Residence at the University of Iowa. In the early 1990s, he returned to Freetown to serve as the editor of the progressive newspaper, the Vanguard. This period of journalism was marked by political tension. Following a military coup in 1997, he was targeted as a dissident. He narrowly escaped with his life, which led to further periods of living in exile.

As a poet, Cheney-Coker's work is often described as radical, ardent, and erudite. His poems frequently reflect the anxiety of his uncertain living status. He writes about the precarious nature of being an intellectual in Sierra Leone. His work is also highly allusive, meaning it contains many references to other literary works. Some critics have labeled him as one of the more Western-influenced African poets. However, he has expressed a desire to avoid being "cloistered in books alone." He wants his writing to remain connected to the reality of his country.

In 1990, he published a major novel titled The Last Harmattan of Alusine Dunbar. This ambitious work describes the entire history of a fictional country named Malagueta. The history of Malagueta is rooted in the Atlantic slave trade. This setting is similar to the real histories of Sierra Leone and Liberia. The novel was intended to break away from the traditions of dominant African writers like Chinua Achebe and Ngũgĩ wa Thiong'o. Some critics categorize the novel as magical realism. This is a genre where mysterious or magical elements appear in a realistic setting. This connection stems from the character Alusine Dunbar, who demonstrates mysterious powers. The novel won the Commonwealth Writers' Prize for the Africa Region in 1991.

Cheney-Coker's life in exile eventually led to a significant humanitarian connection. The Nigerian poet Wole Soyinka helped facilitate his entry into the City of Asylum program. This program is located in Las Vegas, Nevada, and supports writers who are in exile. He became the first writer to participate in this specific program. Despite the safety found abroad, Cheney-Coker eventually chose to return to Sierra Leone in 2003. He stated that exile is neither justifiable nor tolerable after a certain amount of time. His return marked a significant transition in his personal and professional life.

His life and friendships have also been captured through visual media. In 2016, a documentary titled The Poets was released. The film was directed by Chivas DeVinck. It follows Cheney-Coker and his lifelong friend, the Nigerian poet Niyi Osundare. The two men embark on a road trip through Sierra Leone and Nigeria. During this journey, they discuss how their shared life experiences have shaped their respective art forms. This documentary provides a window into the lasting bond between two major African literary figures.

Soyinka and Cheney-Coker
Soyinka and Cheney-Coker
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