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Sergei Lemeshev

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Sergei Yakovlevich Lemeshev was a prominent Soviet and Russian opera singer and director. He was a lyric tenor, a type of singer with a soft and light vocal timbre. His artistry and charm made him a major public idol during the 20th century. He earned the prestigious title of People's Artist of the USSR in 1950. Lemeshev was celebrated for his ability to sing both complex operatic roles and traditional Russian folk songs. His fame was so great that an asteroid, number 4561, was named Lemeshev in 1978.

Lemeshev's journey to the stage began with very different training. Born into a peasant family, his father originally intended for him to become a cobbler. In 1914, he left a parish school to train as a shoemaker in Saint Petersburg. However, his path changed in 1917 when he moved to Tver for vocal training. He later moved to Moscow to study at the Moscow Conservatory from 1921 to 1925. There, he studied under the teacher Nazari Raisky. This formal education prepared him for a professional career in music.

His professional career moved through several stages and locations. He first sang at a local workers' club before performing in various theaters. Between 1926 and 1931, he sang in Sverdlovsk, Harbin, and Tbilisi. In 1931, he reached a major milestone by joining the Bolshoi Theatre. He eventually became a soloist at this famous institution. During his prime years from 1931 to 1942, he became a household name. He also worked as a director, debuting with the production of La traviata in 1951.

Lemeshev faced a severe health crisis during the Great Patriotic War. While being evacuated, he contracted a serious cold. This led to two attacks of pneumonia, which were complicated by pleurisy and tuberculosis in his right lung. To treat this, doctors used a procedure called artificial pneumothorax. This medical method induced a therapeutic collapse of one lung. Although doctors initially forbade him from singing, Lemeshev adapted his technique. He continued to perform using only one lung from 1942 to 1948.

His vocal technique was highly specialized and impressive to experts. He was known for singing "sul soffio," which means leaning on the breath. He also used a method of directing the sound current to the "mask," a specific area of the face. He developed a beautiful mixed voice that allowed him to reach very high notes. Some specialists noted that his high C notes sounded both virile and full. This technical skill allowed him to perform roles that were usually too difficult for other lyric tenors.

Lemeshev had a vast repertoire of operatic roles. His signature role was Lensky in the opera Eugene Onegin by Pyotr Ilyich Tchaikovsky. He performed this specific role more than 500 times starting in 1927. He also sang roles such as Rodolfo in La Bohème and Almaviva in The Barber of Seville. His performances included many Russian works, as well as French, Italian, and German pieces. In 1938, he achieved a unique feat by singing all 100 romances by Tchaikovsky across five concerts.

His massive popularity created a unique cultural phenomenon known as "Lemeshev-mania." Large crowds of fans often followed him through the streets. His female fans were known by the nickname "lemeshistki." These fans often had friendly rivalries with the "kozlovityanki," who were fans of his rival, Ivan Kozlovsky. This intense devotion was fueled by his radio broadcasts and his starring role in the 1940 film "The Musical Story." This film even earned him the Stalin Prize.

In his later years, Lemeshev focused on teaching and different musical forms. He served as an associate professor at the Moscow Conservatory. He also held the position of assistant manager at the Bolshoi Theatre from 1957 to 1959. His final performances included Russian classic romances and folk songs. He passed away on June 27, 1977. He is buried in the Novodevichy Cemetery in Moscow. His legacy lives on through his book, "The Way to Art," and various musical recordings.

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