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Marion Harris

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Marion Harris was a prominent American popular singer. She achieved her greatest success during the late 1910s and the 1920s. Harris was a significant figure in the history of American music. She was the first widely-known white singer to perform jazz and blues songs. This was a major achievement because these genres were deeply rooted in Black musical traditions. Her skill was so great that the composer W.C. Handy noted something remarkable. He wrote that she sang the blues so well that listeners sometimes thought she was Black. Harris explained this by saying she simply sang what came naturally to her. She felt a natural connection to modern blues and Southern dialect songs.

MarionHarrisBanjoUke
MarionHarrisBanjoUke

Her career followed several distinct stages of performance and recording. She began by singing in vaudeville and movie theaters in Chicago around 1914. A dancer named Vernon Castle helped her move into the New York City theater community. In 1915, she made her professional debut in an Irving Berlin revue titled "Stop! Look! Listen!". Throughout the 1920s, she was a constant presence on Broadway. She regularly performed at the Palace Theatre and appeared in Florenz Ziegfeld's "Midnight Frolic". She also toured the country with various vaudeville shows. In 1927, she returned to the New York theater scene and appeared in a Vitaphone short film called "Marion Harris: Songbird of Jazz".

Recording was a vital part of her musical mechanism. In 1916, she began her recording career with Victor Records. She produced a wide variety of songs during this time. Some of her early tracks included "Everybody's Crazy 'bout the Doggone Blues, but I'm Happy" and "After You've Gone". Her most significant commercial success was the song "I Ain't Got Nobody". In 1920, a conflict with Victor Records changed her path. Victor prevented her from recording W.C. Handy's "St. Louis Blues". Because of this, she joined Columbia Records, where she successfully recorded the song. She was often called "The Queen of the Blues" due to her specialized skill in these genres. In 1922, she signed with Brunswick Records to continue her work.

Her discography shows a massive amount of productivity and many hits. In 1917, her song "I Ain't Got Nobody Much" reached number 5 on the charts. By 1919, she had several high-ranking songs, including "After You've Gone," which hit number 1. Her success continued through the early 1920s with many top-ten singles. In 1921, she released "Look for the Silver Lining," which also reached number 1. In 1925, she had another major hit with "Tea for Two." Her ability to produce consistent hits across different record labels was impressive. This high volume of work helped cement her status as a star of the Jazz Age.

MarionHarrisBanjoUke
MarionHarrisBanjoUke

Harris's personal life included several notable people and events. She was born Mary Ellen Harrison on March 25, 1897, in Vanderburgh County, Indiana. Her father, James P. Harrison, worked in the family stove manufacturing business. Her mother, Gertrude Kappler Sturtevant, was a railroad stenographer. Harris was briefly married to the actor Robert Williams in 1921. They divorced in 1922, but they had one daughter named Mary Ellen. This daughter later pursued a singing career under the name Marion Harris Jr. In 1936, Harris married Leonard Urry, who was an English theatrical agent.

MarionHarrisBanjoUke
MarionHarrisBanjoUke

In her later years, Harris's career moved toward radio and international stages. Between 1931 and 1933, she performed on NBC radio programs. These included "The Ipana Troubadors" and Rudy Vallee's "The Fleischmann's Yeast Hour." NBC even gave her the nickname "The Little Girl with the Big Voice." In 1931, she traveled to London to perform. She held long engagements at the Café de Paris and appeared in the musical "Ever Green." This musical was broadcast on BBC radio. She also recorded music in England in 1934 before she eventually retired from the stage.

MarionHarrisBanjoUke
MarionHarrisBanjoUke

Her life concluded following a series of difficult circumstances. In 1941, a German bombing attack destroyed the house she shared with Leonard Urry. In 1944, Harris traveled to New York to seek medical treatment for a neurological disorder. She was discharged from the hospital two months later. On April 23, 1944, she died at the Le Marquise Hotel. Her death was caused by a fire that started when she fell asleep while smoking in bed. Her legacy remains connected to the evolution of jazz and blues in American popular culture.

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