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Bessie Smith

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Bessie Smith was a legendary African-American blues singer.

BessieSmith
BessieSmith

She became one of the most famous performers during the Jazz Age. Many people gave her grand titles. Columbia Records called her the "Queen of the Blues." However, the national press eventually upgraded her title to "Empress of the Blues." Her music was special because it emphasized independence and fearlessness. She sang about sexual freedom and personal strength. Her songs suggested that working-class women could be worthy of respect without changing who they were.

Smith's journey to stardom began with a very difficult childhood.

Bessiesmith3
Bessiesmith3

She was born in Chattanooga, Tennessee, around 1892 or 1894. Her father, William Smith, was a laborer and a part-time Baptist preacher. Sadly, her parents and a brother died while she was still a young child. Because of this poverty, Bessie could not attend school. To help her family survive, she and her brother Andrew busked on street corners. They performed in front of the White Elephant Saloon in Chattanooga. Andrew played the guitar while Bessie sang and danced for pennies.

Her professional career grew through many different stages of performance. In 1912, her brother Clarence helped her audition for a traveling troupe. She was first hired as a dancer rather than a singer. This was because the group already had a popular singer named Ma Rainey. While Ma Rainey did not teach her to sing, she likely helped Smith develop her stage presence. Smith eventually moved into chorus lines and performed at the "81" Theatre in Atlanta. She also became a major attraction on the Theater Owners Booking Association (T.O.B.A.) circuit.

The 1920s marked the peak of her recording success. In 1923, talent agent Frank Walker signed her to Columbia Records. Her first recording session took place on February 15, 1923. Her debut record featured "Downhearted Blues" and "Gulf Coast Blues." Both songs became immediate hits. When Columbia established a "race records" series, Smith's "Cemetery Blues" was the very first one issued. As her fame grew, she became the highest-paid Black entertainer of her era. She was so successful that she traveled in her own 72-foot-long railroad car.

Smith's musical talent was defined by her powerful contralto voice.

Death certificate (1)
Death certificate (1)

This deep voice worked well during the era of acoustic recording. When electrical recording technology arrived, the power of her voice became even more evident. Her first electrical recording was "Cake Walking Babies [From Home]" in 1925. She made a total of 160 recordings for Columbia Records. Many of these sessions included the finest musicians of the day. She worked with legends like Louis Armstrong, Coleman Hawkins, and Fletcher Henderson. Her 1927 recording of "Alexander's Ragtime Band" was among the best-selling records of that year.

Even as the musical landscape changed, Smith continued to adapt. The Great Depression and the rise of sound in film changed the industry. Vaudeville shows began to end, but Smith kept performing in clubs. In 1929, she appeared in a Broadway musical called "Pansy." Although critics said the play was a flop, they called her the only asset. That same year, she starred in her only film, "St. Louis Blues." This two-reeler was shot in Astoria, Queens, and featured a large orchestra. In 1933, she recorded four more sides for Okeh Records. These songs, like "Take Me for a Buggy Ride," showed her shifting into the swing era style.

Bessie Smith grave
Bessie Smith grave

Bessie Smith's life ended tragically at the age of 45. On September 26, 1937, she was involved in a serious car crash. The accident happened on U.S. Route 61 between Memphis and Clarksdale. A vehicle driven by her lover, Richard Morgan, hit the rear of a truck at high speed. The impact was severe and caused fatal injuries to Smith. Her influence on music remains massive today. In 1989, she was inducted into the Rock and Roll Hall of Fame. She remains a major influence on both blues and jazz vocalists around the world.

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