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Gunnar Ekelöf

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Gunnar Ekelöf was a highly influential Swedish poet and writer. He was born in Stockholm on September 15, 1907. Many scholars identify him as Sweden's first surrealist poet. Surrealism is an artistic style that focuses on dream-like imagery.

Ekelöf used his writing to challenge traditional literary rules. His work often explored the gaps and contradictions in language and the human mind. He became a central figure in 20th-century Swedish literature.

His early career was marked by a sense of literary revolt. In 1932, he released his debut collection, *Sent på jorden*, which means "late on earth." He wrote these poems during an extended stay in Paris between 1929 and 1930. The collection was highly unconventional and reflected apocalyptic moods. It even avoided using capital letters.

Because of its intense and unusual nature, it was not immediately widely appreciated. Ekelöf followed this with *Dedikation* in 1934. This second collection moved toward romanticism and received better reviews.

As his career progressed, Ekelöf's style underwent significant shifts. His 1941 collection, *Färjesång* (Ferry Song), marked a major personal breakthrough. This work was influenced by the poet T.S. Eliot and oriental poetry. It also reflected the darkness of the ongoing Second World War.

Unlike his earlier works, *Färjesång* used simple and effective language. This book had a profound influence on later generations of Swedish poets. He also published the prose book *Promenader* (Walks) in 1941.

Ekelöf's middle period involved exploring themes of non-conformity and nonsense. In 1945, he published *Non Serviam*. The title comes from the Latin motto of Lucifer, meaning "I will not serve." This work symbolized a refusal to adapt to the conformity of the welfare society. Later, in 1955, he released *Strountes*, a title derived from the Swedish word for "nonsense."

Through wordplay, he demonstrated that meaning could emerge even from apparent nonsense. He continued to explore these complex themes in books like *Opus incertum* in 1959.

In 1958, Ekelöf reached a high level of professional recognition. He was elected to the Swedish Academy, succeeding Bertil Malmberg on chair 18. That same year, Uppsala University awarded him an honorary doctorate in philosophy.

His 1960 collection, *En Mölna-elegi* (A Mölna Elegy), is considered one of his most significant works. It is a lengthy elegy filled with free associations and memories. The book uses intertextual references to many famous authors, such as August Strindberg and Edith Södergran. Critics have compared its depth to the work of James Joyce.

His final years were defined by a creative outburst inspired by travel. In 1965, Ekelöf visited Istanbul and İzmir in Turkey. He described this journey in his diary as a life-changing revelation. This trip led to a trilogy of books with Byzantine themes. The first, *Dīwān över Fursten av Emgión* (Diwan on the Prince of Emgion), tells the story of a fictional prince. The prince is captured and blinded during the Battle of Manzikert.

For this specific work, Ekelöf won the Nordic Council Literature Prize in 1966.

Ekelöf died on March 16, 1968, in Sigtuna. He left specific instructions for his final resting place in his will. He requested that his ashes be scattered in the river Pactolus in Salihli, Turkey. This river is now known as the river Sart.

According to the writer Ovid, this is the same river where King Midas washed away his golden touch. Ekelöf's legacy remains strong in both Sweden and Turkey. On the 103rd anniversary of his birth, poetry enthusiasts gathered in Salihli to honor him. A bust of the poet exists today in the garden of the Swedish Embassy in Istanbul.

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