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Gerard Manley Hopkins

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{

"text": "Gerard Manley Hopkins was a highly influential English poet and a Jesuit priest.

Young Gerard Manley Hopkins
Young Gerard Manley Hopkins

He is celebrated for his innovative prosody, which refers to the patterns of rhythm and sound in poetry. His most famous contribution is a concept called sprung rhythm. This technique creates a unique musicality in his verses. Hopkins used vivid imagery to praise God through the beauty of the natural world. Although he was a brilliant writer, he did not publish most of his work during his lifetime. His fame grew posthumously, after his death. By 1930, his writing was considered one of the most original literary advances of the 19th century.\n\nHopkins was born in 1844 in Stratford, Essex. He was the eldest of likely nine children. His father, Manley Hopkins, was a marine insurance founder and a published poet. His mother, Catherine, was a lover of music and German philosophy.

Young Gerard Manley Hopkins
Young Gerard Manley Hopkins

The family environment was rich with artistic and religious influence. Hopkins's early ambition was to become a painter. He was a skilled draughtsman who practiced sketching throughout his life. He believed his training in visual arts supported his later poetic work. His siblings were also talented in various fields. For example, his sister Grace set his poems to music, while his brother Lionel became an expert on Chinese.

\n\nHis path to the priesthood involved several intense stages of spiritual discipline. While attending Highgate School, he practiced extreme asceticism, which is the practice of severe self-discipline. He once attempted to go without drinking liquids for a week. During his time at Balliol College, Oxford, he met Robert Bridges. This friendship became vital for his later reputation. In 1866, Hopkins decided to convert to Roman Catholicism. He consulted John Henry Newman, a leader of the Oxford converts. This decision caused a rift between Hopkins and his family. In 1868, he resolved to become a religious man and joined the Jesuits. He took vows of poverty, chastity, and obedience in 1870.\n\nAs a Jesuit, Hopkins faced a conflict between his faith and his art. For seven years, he almost entirely gave up poetry to focus on his religious duties. He eventually realized that his interest in nature and poetry did not have to conflict with his faith. In 1875, he wrote a major poem titled \"The Wreck of the Deutschland.\" This work was inspired by a maritime disaster where 157 people died. The poem used unusual meters and rhythms to describe the storm and the loss of life. It attempted to reconcile these terrible events with a higher divine purpose. However, the poem was rejected for publication by a Jesuit group. This rejection contributed to his long-standing ambivalence about sharing his work.\n\nIn his later years, Hopkins's life became increasingly difficult. In 1884, he moved to Dublin to serve as a professor of Greek and Latin at University College Dublin. He felt isolated in Ireland and struggled with his effectiveness as a teacher. His workload was heavy, and his physical health began to decline. He suffered from failing eyesight and bouts of illness. During this period, he wrote poems known as the \"terrible sonnets.\" These were not called \"terrible\" because of their quality. Instead, they were named for how they crystallized the deep melancholy and dejection he felt.

GerardManleyHopkinsBluePlaque
GerardManleyHopkinsBluePlaque

\n\nDespite his

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