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Elvira de Hidalgo

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Elvira de Hidalgo was a highly prominent Spanish coloratura soprano. A coloratura soprano is a singer with a very high and agile voice. She was celebrated for her incredible vocal skill and her many operatic roles. Beyond her own performances, she became a respected teacher and vocal coach. Her life was defined by a deep dedication to the art of opera. She helped shape the music world through both her singing and her instruction.

De Hidalgo's musical journey followed a very specific path of training and performance. She began her studies with Concepció Bordalba in Barcelona, Spain. Later, she moved to Milan to study under Melchiorre Vidal. Vidal was a significant teacher who instructed many famous singers. These included Maria Barrientos, Graziella Pareto, and Francesc Viñas. This rigorous training prepared her for a professional debut at age sixteen. She debuted at the Teatro di San Carlo in Naples, performing as Rosina in The Barber of Seville. This specific role became her most famous and well-known character.

Her career included many different types of operatic performances and international travels. She performed in major cities such as Paris, Prague, and Cairo. In 1910, she made her debut with the New York Metropolitan Opera. During that same season, she sang in Rigoletto alongside Enrico Caruso. She also performed in La sonnambula with Alessandro Bonci. Her repertoire was vast and included works like Lucia di Lammermoor and Don Giovanni. She often shared the stage with other legendary singers like Beniamino Gigli and Mattia Battistini.

De Hidalgo traveled to many famous opera houses across the globe. In 1916, she made her debut at La Scala in Milan. She also performed at the Teatro Colón in Buenos Aires in 1922. Her talent took her to London, where she appeared at Covent Garden in 1924. That same year, she performed at the Royal Albert Hall with the London Symphony Orchestra. She also toured the United States and Canada in 1926 and 1927. During this tour, she sang in Il barbiere alongside the singer Feodor Chaliapin.

Because recording technology was developing, de Hidalgo left behind many musical documents. She recorded for the Columbia company between 1907 and 1908. These recordings included arias from Il barbiere and La sonnambula. She also made discs for Fonotipia from 1909 to 1910. These recordings featured excerpts from many works, such as Don Pasquale and L'elisir d'amore. She returned to the Columbia studios in 1925 and again in 1937-38. Her voice can still be heard today in EMI's The Record of Singing.

In the later part of her life, de Hidalgo focused on teaching the next generation. She began her teaching career in 1933. She later held a position at the Athens Conservatoire. Her most famous pupil was the legendary soprano Maria Callas. Callas credited de Hidalgo with an essential role in her artistic formation. In 1957, Callas wrote that de Hidalgo gave her precious teaching and her whole heart. This mentorship helped Callas become a great musician and actress.

De Hidalgo passed away in Milan in 1980. Her legacy has been honored by her friends and former students through several efforts. Initially, she was buried in an unidentified grave. In 1990, her pupils paid to move her remains to the Cimitero Maggiore di Milano. Her remains were later moved to Barcelona in 2018. Finally, her remains returned to her hometown of Valderrobres in Spain. A lyrical gala was held to coincide with a new exhibition at the Museo de Valderrobres. This event included a plaque placed on her original home building.

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