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Dresden Codex

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The Dresden Codex is a rare and precious Maya book.

Dresden Codex Exhibition
Dresden Codex Exhibition

It originates from the Chichén Itzá region in Mexico. This document is one of only four hieroglyphic Maya codices surviving from the pre-Hispanic era. The others include the Madrid, Paris, and Grolier codices. The Dresden Codex is a screenfold book, which means it folds like an accordion. When fully unfolded, the manuscript becomes a very long strip of paper. It is currently kept at the Saxon State Library in Dresden, Germany. This is how the book received its modern name.

The physical structure of the codex is quite unique. It consists of 78 pages with decorative board covers on the front and back. Most of these pages feature writing on both sides. Many pages originally had a red paint border, though age has caused some to fade. The pages are made of amate, a paper created from the pounded inner bark of the Ficus cotinifolia tree. In the Maya language, the word for this bark, "hu'un," eventually became the word for "book."

DresdenCodexOriginalSheets2
DresdenCodexOriginalSheets2

The pages are generally divided into two to four columns. Some sections are separated by a red vertical line, while others have different numbers of horizontal sections.

Skilled craftsmen created the visual elements of the codex. Eight different scribes contributed to the work. Each scribe used a unique writing style and specific glyph designs. They used thin brushes to apply vegetable dyes to the amate paper. While black and red were the primary colors, some pages feature yellow, green, and a specific shade called Mayan blue. The content is written in Mayan hieroglyphs, which are complex symbols representing words or sounds. These symbols refer to an even older text from three or four hundred years prior. This older text contained local history and astronomical data.

The information within the codex is highly scientific and religious. It contains detailed astronomical and astrological tables. For instance, the book includes Venus tables that track the movements of the planet Venus. It also features lunar tables that correlate with the timing of eclipses.

Humboldt 1810 pp 47 48 50 51 52
Humboldt 1810 pp 47 48 50 51 52

Beyond astronomy, the codex discusses the seasons of the earth, medicine, and illness. It also contains ritual schedules and religious references. These references show a 260-day ritual calendar that tracks important Maya royal events. One specific deity, the rain god Chaac, is depicted 134 times throughout the manuscript.

Historians have worked for centuries to date and locate the origin of this book. Many scholars believe it was written near Chichén Itzá. This is because certain picture symbols in the codex match monuments found only in that specific location. The dating of the codex is a subject of ongoing study. Some experts suggest it dates to the 11th or 12th century. Others, like the historian J. Eric S. Thompson, place its creation between 1200 and 1250 A.D. Archaeologist Linton Satterthwaite suggests it was made no later than 1345. While it was once thought to be the oldest book in the Americas, we now know the Grolier Codex is older by about a century.

The history of the book's ownership is also well-documented. Johann Christian Götze purchased the codex in 1739 from a private owner in Vienna. It was added to the Royal Library of Dresden in 1744. Some speculate that the governor of Mexico, Hernán Cortés, may have sent it to the Holy Roman Emperor, Charles V, as a tribute. In the 1800s, Alexander von Humboldt published the first reproductions of its pages. Later, in 1831, Lord Kingsborough published a full copy. The codex has also faced significant physical challenges. During the bombing of Dresden in February 1945, the book was kept in a flooded basement. This caused extreme water damage to several pages, including pages 2, 4, 24, 28, 34, 38, 71, and 72.

DresdenCodexSheetsToday
DresdenCodexSheetsToday

Despite its damage, the Dresden Codex remains vital for understanding Maya culture. It played a major role in the decipherment of Mayan hieroglyphs. In 1880, Ernst Wilhelm Förstemann published a complete facsimile and deciphered the calendar section. He identified the Maya numerals and linked them to the Long Count calendar. Later, in the 1950s, Yuri Knorozov used a phonetic approach to help decode the writing. Scholars like Paul Schellhas also contributed by assigning letters to various gods. Today, the codex serves as a bridge to the mathematical, scientific, and spiritual world of the ancient Maya.

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🖼️ Images & Media (5)
File:Dresden Codex Exhibition.jpg
Dresden Codex Exhibition.jpg
File:Humboldt 1810 pp 47 48 50 51 52.jpg
Humboldt 1810 pp 47 48 50 51 52.jpg
File:DresdenCodexSheetsAglio.png
DresdenCodexSheetsAglio.png
File:DresdenCodexOriginalSheets2.png
DresdenCodexOriginalSheets2.png
File:DresdenCodexSheetsToday.png
DresdenCodexSheetsToday.png
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