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Cerulean

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Cerulean is a specific variety of the blue hue. It can range from a light azure blue to an intense sky blue. This color can also be mixed with green to change its appearance. The name comes from the Latin word "caeruleus," which means dark blue, blue, or blue-green. This Latin term likely comes from a word for the sky or heaven. In the world of art, cerulean often refers to a specific pigment used in paints.

The most common cerulean pigment is a chemical called cobalt(II) stannate. This substance produces a greenish-blue color. When artists use it in watercolor, it may have a slight chalkiness. However, it loses this chalky quality when used in oil paint. The pigment is very stable and has good light resistance. This means it stays the same even when exposed to light. Today, some manufacturers market cobalt chromate as cerulean blue. This version is darker and greener than the cobalt stannate version. Some companies call this darker version "cobalt turquoise."

The creation of this pigment involves a specific chemical process. In 1789, a Swiss chemist named Albrecht Höpfner synthesized the pigment. He created it by heating roasted cobalt and tin oxides together. For the first half of the nineteenth century, people called it "Höpfner blue." Later, German production of the pigment was known as "Cölinblau." By the late 1850s, art suppliers began using the term "ceruleum" blue. An advertisement in the London Times in 1859 described it as a new permanent color.

Different names for this color have appeared throughout history. Some people called it "coeurleum," "cerulium," or "bleu céleste," which means celestial blue. In the nineteenth century, English names included "ceruleum blue" and "corruleum blue." While many sources call it cerulean today, the term "ceruleum" is still used. There is some debate about who first marketed it in the United Kingdom. Some say the colorman George Rowney sold it as "coeruleum" in the early 1860s. However, the British firm Roberson was already buying a similar blue from a German firm.

Cerulean became very important to famous artists during the late nineteenth century. It was available as a watercolor in the 1860s. It was not widely adopted until the 1870s when it became available in oil paint. Famous painters like Claude Monet, Paul Signac, and Picasso used it. Monet added the pigment to his palette in 1877. He used it in his painting series titled "La Gare Saint-Lazare." National Gallery researchers found pure cerulean blue in the shadows of the station's canopy. They believe he used it because its greenish tone could replace Prussian blue.

Other artists have used the color in unique ways. Berthe Morisot used cerulean blue in her 1879 painting "Summer's Day." She mixed it with artificial ultramarine and cobalt blue to paint a woman's coat. Vincent van Gogh did not use the pure pigment. Instead, he created his own version by mixing cobalt blue, cadmium yellow, and white. The color also appears in modern culture. In the film "The Devil Wears Prada," a character explains how the color cerulean affects fashion choices. This scene shows how trends move from runways to the mass market.

Cerulean blue holds significant meaning in global organizations and nature. The United Nations adopted cerulean blue for its emblem after World War II. The designer, Oliver Lundquist, chose it as the opposite of red. He felt red represented the color of war. In the Catholic Church, cerulean vestments are allowed on certain Marian feast days. This is especially true in areas formerly under the Spanish Crown. You can also find this color in nature. Several birds carry this name, such as the cerulean kingfisher and the cerulean warbler.

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