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Black Square

arts Maturity 11-13 Next article →

The "Black Square" is a monumental oil on linen canvas painting created in 1915. It was painted by Kazimir Malevich, a self-taught artist born near Kiev, Russia (now Kyiv, Ukraine). This single work served as the foundation for Suprematism, an art movement Malevich led from 1915 to 1919. Suprematism derives its name from the Russian word *supremus*, meaning "superior" or "perfected." Malevich used this movement to liberate art from mimesis, which is the imitation of the real world. He wanted to move away from representing objects like trees or people. Instead, he focused entirely on pure form and color. He believed these simple shapes could create a deep emotional impact.

Kazimir Malevich, c.1900
Kazimir Malevich, c.1900

To create the original 1915 masterpiece, Malevich applied broad strokes of thick black oil paint. The canvas measured 79.5 centimeters by 79.5 centimeters. He did not just paint a black shape on a plain background. He also used various shades of white and grey paint for the borders and edges. This technique helped define the shape within the space. In 2015, X-ray technology revealed a hidden history beneath the surface. Scientists discovered two previously unknown works underneath the black paint. The first was a brightly colored Cubo-Futurist composition. Below that, researchers found a description reading "Negroes battling in a cave." This text may suggest Malevich was responding to an 1897 work by Alphonse Allais.

Malevich's black suprematist paintings (GRM) by shakko 01
Malevich's black suprematist paintings (GRM) by shakko 01

The idea for the square did not begin with a canvas. Malevich first utilized the motif while working as a stage designer. In 1913, he designed sets for the opera *Victory over the Sun*. This production took place at the Luna Park Theater in Saint Petersburg. The opera's plot was a satire of religious dogma and Tsarist autocracy. The story followed characters trying to abolish reason by capturing the sun. During the pivotal scene where the sun dies, black squares appeared eight times. They were visible on curtains, backdrops, and even on the hats of pallbearers. Malevich recognized the immense potential of this simple shape immediately.

Malevich was deeply committed to his artistic vision. He described the 1915 painting as the "zero point of painting." He believed the square was the "embryo of all possibilities." The breakthrough was so intense that he could not sleep, eat, or drink for a week. He first exhibited the work at "The Last Futurist Exhibition 0,10" in 1915. This exhibition took place at the Field of Mars square in Saint Petersburg. At the show, the painting was hung in an icon corner. This placement created a sharp contrast between Modernism and traditional Eastern Orthodox culture.

0.10 Exhibition
0.10 Exhibition

Throughout his career, Malevich produced several different versions of the work. There are four painted versions in total. The first was the 1915 original. He completed a copy in 1923. Around that same time, he collaborated with his students to create another version. A third version was painted near 1929 for a solo exhibition. This version may have acted as a replacement for the original, which was in poor condition. The final version is the smallest of them all. It was likely created between the late 1920s and early 1930s. Each version differs slightly in its specific size and texture.

Malevich's black suprematist paintings (GRM) by shakko 01
Malevich's black suprematist paintings (GRM) by shakko 01

Despite its importance, the painting faced significant political challenges. During the leadership of Joseph Stalin, the Russian avant-garde lost favor. Stalin's government preferred a style called socialist realism. Malevich was even arrested for several days in 1930. This happened after he traveled to Berlin, which made the secret police suspicious. In Germany, the Nazi party also targeted his work as "degenerate art." They preferred art that focused on traditional themes like home and church. After Malevich died in 1935, his work was officially banned in the USSR. This caused the painting to be hidden and neglected in archives for many years.

The passage of time has left a physical mark on the artwork. Because it was hidden for so long, the painting is in poor condition. It is described as being scuffed, discolored, and heavily crackled. Some critics note it looks as if it has spent decades patching a broken window. However, its historical value remains massive. The "Black Square" is now considered a foundation for both modern and abstract art. It had a significant influence on the development of minimalist art. Today, it is recognized as one of the most famous paintings of the 20th century.

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File:Kazimir Malevich, c.1900.jpg
Kazimir Malevich, c.1900.jpg
File:0.10 Exhibition.jpg
0.10 Exhibition.jpg
File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg
Malevich's black suprematist paintings...
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