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Birju Maharaj

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Birju Maharaj was a master of Kathak dance from India.

He belonged to the Lucknow Kalka-Bindadin Gharana, which is a specific family style of dance. He was a dancer, a singer, and a composer. He also knew a lot about Hindustani classical music. Maharaj used his dance to tell many different stories. He shared old myths and stories from daily life. He even used dance to talk about social issues.

His dance was a very busy and skillful thing. He could sing a song called thumri while he moved. He could also play drums like the tabla and the dholak. Students studied his special patterns called ginti ki tihaais. He worked with many other great artists. This included the tabla player Zakir Hussain. He also worked with singers named Rajan and Sajan Mishra.

Maharaj was born Brijmohan Nath Mishra on 4 February 1938. He was born in Handia in the Allahabad district. His father was a dancer named Acchan Maharaj. His father worked as a court dancer in Raigarh. Maharaj started dancing when he was only four years old. He learned from his father and his two uncles. These uncles were named Shambhu Maharaj and Lachhu Maharaj. He performed his first solo dance at age seven in West Bengal.

He had a very long and busy career. He taught at Sangeet Bharti in New Delhi at age fourteen. Later, he led the Kathak Kendra in Delhi. He retired in 1998 and opened his own school. This school is called Kalashram. He also worked on many famous Indian movies. He won a National Film Award in 2012 for the movie Vishwaroopam. He won a Filmfare Award in 2016 for the movie Bajirao Mastani.

Many people gave him awards for his great skill. He was a very young artist to get the Sangeet Natak Akademi Award. He received that honor when he was 28 years old. In 1986, he received the Padma Vibhushan. This is the second highest honor for citizens in India. He also won many other awards like the Kalidas Samman. He died in Delhi in 2022 at the age of 83. After he passed, some people shared stories of bad behavior by him. These stories made people look closely at how teachers and students interact in traditional arts.

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