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Arthur Mitchell (dancer)

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Arthur Mitchell was a transformative American ballet dancer, choreographer, and director.

Arthur Mitchell, NY 1998 resized
Arthur Mitchell, NY 1998 resized

A choreographer is an artist who creates and arranges dance movements. Mitchell did more than just perform; he built institutions that changed the dance world. He broke racial barriers in classical ballet. He also founded companies that provided opportunities for many others. His life was defined by a commitment to both artistic excellence and community service.

Mitchell's early life in Harlem, New York, required significant responsibility. When he was 12 years old, his father was incarcerated. This forced Mitchell to find ways to support his family financially. He worked several different jobs to help. He was a shoe-shiner and a newspaper delivery boy. He also mopped floors and worked in a meat shop. Despite these heavy duties, he eventually found his path in the arts. A guidance counselor encouraged him to apply to the High School of Performing Arts. After graduating, he won a scholarship to the School of American Ballet. This school is closely affiliated with the New York City Ballet.

In 1955, Mitchell achieved a major historical milestone. He became the first African-American dancer to join the New York City Ballet. By 1956, he was promoted to the rank of principal dancer. This is one of the highest positions a dancer can hold. He performed in many famous works, such as *The Nutcracker* and *Agon*. The choreographer George Balanchine actually created a specific *pas de deux*—a dance for two people—in *Agon* for Mitchell. Balanchine paired him with a white ballerina named Diana Adams. Although some audience members complained about this pairing, Balanchine refused to change it. Mitchell performed this role globally, but he could not perform it on American commercial television until 1968. This was when the performance finally aired on *The Tonight Show* with Johnny Carson.

After leaving the New York City Ballet in 1966, Mitchell expanded his influence. He appeared in several Broadway productions and helped start ballet companies in other places. He worked in Spoleto, Italy, and Washington, D.C. He also founded and directed the National Ballet Company of Brazil. These international efforts showed his ability to lead dance organizations in different cultures. He was moving from being a performer to being a global leader in dance.

In 1969, Mitchell returned to Harlem to create something permanent for his community.

Dance Theatre of Harlem, NY 1998 resized
Dance Theatre of Harlem, NY 1998 resized

Following the assassination of Dr. Martin Luther King, Jr. in 1968, Mitchell felt a strong drive to provide dance opportunities for local children. He and his teacher, Karel Shook, started a classical ballet school. Mitchell used $25,000 of his own money to begin the project. The Dance Theatre of Harlem (DTH) started in a church basement with only 30 children. The growth was incredibly fast. Within two months, 400 youngsters were attending classes. Two years later, the group became a professional company. Mitchell even used his personal savings to turn a garage into a home for the company.

The Dance Theatre of Harlem became a massive success for the community. It created professional opportunities in dance, music, and theater. The school produced many successful professionals. These include dancers, musicians, and technicians in stagecraft and wardrobe. It also produced leaders in arts administration and instruction. By succeeding, DTH challenged the classical dance world to rethink its stereotypes. It forced the industry to revise its boundaries regarding who could participate in ballet.

Mitchell's many achievements earned him significant national recognition. In 1993, he received the Kennedy Center Honors. In 1994, he was named a MacArthur Fellow. The President of the United States presented him with the National Medal of Arts in 1995. He was also honored at the White House in 2006. Many prestigious universities gave him honorary doctorates. These included Harvard University, Yale University, and Columbia University. Mitchell died on September 19, 2018, from renal failure. His life and his collection of documents are preserved at Columbia University. His legacy continues to shape how the world views classical dance.

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