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Art music

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Art music refers to music held to have high phonoaesthetic value. This term describes music that focuses on advanced structural and theoretical considerations. People also use several other names for this category of sound. You might hear it called classical music or cultivated music. Some people call it serious music or canonic music. These names help distinguish it from everyday or vernacular music. Vernacular music includes popular music and folk music. While many cultures have their own art music traditions, the term often refers to Western classical music in Western literature.

Beethoven opus 101 manuscript
Beethoven opus 101 manuscript

Understanding art music involves looking at how it is created and shared. In strict Western practice, it is primarily a written musical tradition. This means the music is preserved through music notation. Notation uses symbols on a page to represent sounds. This differs from music that is transmitted orally or by rote. It also differs from music shared mainly through recordings. By using written records, musicians can preserve specific formal styles. This allows for detailed deconstruction and criticism of the work. The music is designed to invite focused attention from the listener.

Musicians and scholars categorize music using different frameworks. Musicologist Philip Tagg uses an "axiomatic triangle" to explain this. This triangle consists of folk, art, and popular musics. He argues that each type is distinguishable by specific criteria. Musician Catherine Schmidt-Jones offers another way to define the genre. She says art music requires significantly more work from the listener. This effort is needed to fully appreciate the complex layers. Under her definition, challenging types of jazz and rock can also be art music. This happens when the music moves beyond typical popular styles.

History shows that the boundaries between these musical categories are not fixed. In the early 20th century, art music was divided into two groups. These groups were "serious music" and "light music." During the second half of the century, American culture began to change. There was a large-scale trend toward blurring the lines between art and pop music. This movement helped different musical discourses begin to interact. This shift allowed for more social and artistic dialogue between different styles of performance.

Jazz provides a significant example of this historical struggle. Academic Tim Wall noted a conflict between several different musical discourses. These included Tin Pan Alley, African-American, vernacular, and art discourses. As early as the 1930s, artists tried to create "symphonic jazz." This was an attempt to move the genre away from its perceived roots. These roots were in Black American and vernacular traditions. Wall argued that histories of popular music have often marginalized jazz because of this struggle.

In the late 1960s and 1970s, new forms of crossover music emerged. Progressive rock bands represented a major part of this movement. They combined rock music with high art musical forms. They did this through methods like quotation, allusion, or imitation. Some musicians used explicit references to aspects of art music. This process can lead to the reification of rock as art music. This means rock is treated with the same respect as classical styles. However, many artists did not use literal classical themes in their work.

Progressive music often involves a continuous aesthetic movement. It moves between formalism and eclecticism. This means it can be very structured or very varied. Some artists incorporate sources from many different cultural domains. They might use elements from East Indian, Celtic, folk, or African traditions. This shows how art music can connect to many different systems of sound. Even when musicians do not use European classical music, they still engage with complex musical strategies. These connections help define how we understand music today.

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