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Angelica Kauffman

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Maria Anna Angelika Kauffmann, known as Angelica Kauffman, was a highly successful Swiss painter.

Angelica Kauffmann (1741-1807) - Design - 03-1129 - Royal Academy of Arts
Angelica Kauffmann (1741-1807) - Design - 03-1129 - Royal Academy of Arts

She lived from 1741 to 1807 and worked across Europe. She was a skilled portraitist, landscape painter, and decorator. However, she identified most strongly as a history painter. This meant she painted scenes from history, mythology, literature, or scripture. In the 18th century, history painting was the most elite category of art. It required deep knowledge of classical texts and human anatomy. Kauffman achieved great fame in both London and Rome.

Kauffman's artistic journey began with her father, Joseph Johann Kauffmann. He was an Austrian muralist and painter. He trained Angelica and she served as his assistant. As a child prodigy, she learned four languages: German, Italian, French, and English. She was also a talented musician and singer. A Catholic priest advised her to choose art over opera. He believed the opera world was a dangerous place. Consequently, she dedicated her life to painting. By age twelve, she was already painting for bishops and nobles.

Her travels helped shape her unique Neoclassical style. This style emphasizes order and classical themes. In 1762, she moved to Florence and discovered this approach. She later moved to Naples to study the Old Masters. In 1763, she visited Rome and became a popular figure. The scholar Winckelmann noted her charm and her ability to sing. She was elected to the Accademia di San Luca in 1765. Her reception piece for this academy was titled *Allegory of Hope*.

In 1766, Kauffman moved to England and established herself as a leader. She was a founding member of the Royal Academy of Art in 1768. She was one of only two women among the founders. Her name appeared in the Academy's first catalogue with the title "R.A." for Royal Academician. She was very close with the famous painter Sir Joshua Reynolds. They painted portraits of one another. In 1771, she traveled to Ireland to complete portrait commissions. She painted many important people, such as the Earl of Ely and his family.

Kauffman-Garrick
Kauffman-Garrick

Kauffman's work at the Royal Academy was highly prolific. From 1769 to 1782, she was an annual exhibitor there. She often sent as many as seven pictures to each exhibition. These works frequently focused on classical or allegorical subjects. One notable example is *Leonardo expiring in the Arms of Francis the First* from 1778. She was also appointed to decorate St Paul's Cathedral. Later, she painted the ceiling of the Council Room at Somerset House. Between 1778 and 1780, she created *The Elements of Art*. This series included *Invention*, *Design*, *Composition*, and *Coloring*.

Angelica Kauffmann (1741-1807) - Design - 03-1129 - Royal Academy of Arts
Angelica Kauffmann (1741-1807) - Design - 03-1129 - Royal Academy of Arts

History painting presented specific challenges for women in the 1700s. Most women were denied access to formal anatomical training. They were often not allowed to draw from nude models. Kauffman bypassed these boundaries through careful study. She learned to depict the male body by copying drawings and engravings. She also studied plaster casts and the works of masters like Raphael and Titian. Some observers noted that her male figures appeared more feminine. This might have resulted from her specific method of studying anatomy.

The Triumph of Venus with the Three Graces
The Triumph of Venus with the Three Graces

Kauffman eventually returned to Rome to find better support for history painting. The British public was often less interested in this genre. In 1807, she died in Rome. Her funeral was a grand event directed by the sculptor Antonio Canova. It was modeled after the funeral of the Renaissance master Raphael. Many members of the Academy of St Luke attended the service. Two of her best paintings were even carried in the procession.

Today, Kauffman's legacy lives on in many international museums. Her works are held in Paris, Munich, and St Petersburg. You can find her portraits in the National Portrait Gallery in London. She remains a symbol of female achievement in the arts. Her ability to master complex subjects helped change how women were seen in the art world.

KAUFFMANN Angelica 1798 Allégorie chrétienne
KAUFFMANN Angelica 1798 Allégorie chrétienne
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🖼️ Images & Media (12)
File:Kauffmann Tragedy and Comedy (detail) 01.jpg
Kauffmann Tragedy and Comedy (detail) 01.jpg
File:Angelika Kauffmann - Christus und die Samariterin am Brunnen -1796.jpeg
Angelika Kauffmann - Christus und die...
File:Kauffman-Garrick.jpg
Kauffman-Garrick.jpg
File:Oil sketch for The Pictorial Conjuror by Nathaniel Hone the Elder.jpg
Oil sketch for The Pictorial Conjuror by...
File:Angelica Kauffmann (1741-1807) - Design - 03-1129 - Royal Academy of Arts.jpg
Angelica Kauffmann (1741-1807) - Design -...
File:The Sorrow of Telemachus MET DP169392.jpg
The Sorrow of Telemachus MET DP169392.jpg
File:Telemachus and the Nymphs of Calypso MET DP169393.jpg
Telemachus and the Nymphs of Calypso MET...
File:The Triumph of Venus with the Three Graces.jpg
The Triumph of Venus with the Three Graces.jpg
File:Angelica Kauffman. Self-Portrait Hesitating Between the Arts of Music and Painting.jpg
Angelica Kauffman. Self-Portrait...
File:Mary Tisdal Reading, by Angelica Kauffmann.jpg
Mary Tisdal Reading, by Angelica Kauffmann.jpg
File:KAUFFMANN Angelica 1798 Allégorie chrétienne.jpg
KAUFFMANN Angelica 1798 Allégorie chrétienne.jpg
File:Schwarzenberg-Brand 34-Angelika Kaufmann Museum-01ASD.jpg
Schwarzenberg-Brand 34-Angelika Kaufmann...
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