A man made big metal doors. 
A man named Rodin made huge metal doors. 
{
"text": "Auguste Rodin was a famous French artist. He spent thirty-seven years making a giant work of art. It is called The Gates of Hell. 
The Gates of Hell is a huge sculpture made of bronze. It was created by a French artist named Auguste Rodin. This work is very important because it tells a story. It shows scenes from the Inferno. The Inferno is the first part of a famous poem by Dante Alighieri. Rodin wanted people to feel overwhelmed when they saw it. He imagined people walking up stairs to face these massive doors. The doors are 6 metres high and 4 metres wide. They are also 1 metre deep. 
Making this work was a very long task. Rodin worked on it for thirty-seven years. He worked on the ground floor of the Hôtel Biron. The project started in 1880 when the Directorate of Fine Arts asked him to make them. They wanted an entrance for a new museum. They let Rodin choose the theme himself. Rodin spent many years adding and changing figures. He worked with over two hundred human figures on the doors. He kept working until he died in 1917.
Rodin looked at many things for inspiration. He studied the Gates of Paradise by Lorenzo Ghiberti. Those are bronze doors from the 15th century in Florence. He also looked at medieval cathedrals. He liked how they used high and low relief. Relief is a way of making art that stands out from a flat surface. He was inspired by many painters and writers too. He studied the paintings of Delacroix. He also read poems by Baudelaire. He even lived with the words of Dante for a whole year.
There are 180 figures on the gates. Some of these figures became famous art on their own. One famous statue is called The Thinker. It is also known as The Poet. It sits above the door panels. Some people think it is Dante looking down. Others think it is Rodin himself. Another figure is called The Kiss. It was part of the gates before Rodin moved it. There is also a group called Ugolino and His Children. That group was cast as a separate bronze in 1882.
Today, you can find these works in many places. The original plaster model is at the Musée d'Orsay in Paris. The Musée Rodin also has a cast of the gates. You can find bronze versions in the United States and Japan. One is at the Rodin Museum in Philadelphia. Another is at the National Museum of Western Art in Tokyo. There is even a special Rodin Wing in Shizuoka, Japan. These different locations help people all over the world see his work.
The Gates of Hell is a monumental bronze sculptural group created by the French artist Auguste Rodin. This massive work depicts scenes from the *Inferno*, which is the first section of Dante Alighieri's *Divine Comedy*. The sculpture is designed to be an overwhelming experience for anyone viewing it. It stands 6 metres high, 4 metres wide, and 1 metre deep. Within this large structure, Rodin included 180 different figures. These figures vary greatly in size, ranging from large statues to those just over one metre tall. 
Rodin's creative process for this project was incredibly long and complex. The Directorate of Fine Arts first commissioned the work in 1880. They wanted an inviting entrance for a planned Decorative Arts Museum. Although the museum was never actually built, Rodin continued his work for thirty-seven years. He worked on the ground floor of the Hôtel Biron. Throughout his life, he continuously added, removed, or altered more than two hundred human figures. He worked on the project until his death in 1917.
To create such a complex work, Rodin used several different artistic inspirations. He looked at Lorenzo Ghiberti's *Gates of Paradise*, which are 15th-century bronze doors from Florence. He also studied the way medieval cathedrals used high and low relief. Relief is a sculptural technique where figures stand out from a flat background. Rodin was also inspired by many famous artists and writers. He studied Michelangelo's *The Last Judgment* and paintings by Delacroix. He even spent an entire year living with the words of Dante to better understand the *Inferno*.
Rodin eventually changed how he approached the sculpture's realism. Initially, he spent a year drawing the eight circles of Dante's hell. However, he realized his drawings felt too remote from reality. To fix this, he started working from nature using live models. This allowed him to create more lifelike human forms. This shift helped him capture the deep emotions described in the *Inferno*. He wanted viewers to feel the weight of the warning: "Abandon every hope, who enter here."
Many individual figures from the gates were later enlarged into independent statues. One of the most famous is *The Thinker*, also called *The Poet*. This figure sits above the door panels. Some people believe it represents Dante looking down at the scenes. Others suggest it is Rodin himself meditating. Another possibility is that the figure represents Adam. Another notable piece is *The Kiss*, which was originally part of the gates. Rodin eventually removed it because it seemed to conflict with the other suffering figures.
Other specific groups within the work tell dramatic stories. The group *Ugolino and His Children* depicts a story from Canto XXXIII of the *Inferno*. This group was cast as a separate bronze in 1882. There is also a group called *The Three Shades*. Originally made of three independent figures in 1899, Rodin later fused them together by replacing a hand. Other figures include *Fleeting Love*, which represents the lovers Paolo and Francesca. There are also works like *The Old Courtesan* and *Fallen Caryatid Carrying Her Stone*.
Because of the work's importance, casts of the sculpture are located all over the world. The original plaster model is kept at the Musée d'Orsay in Paris. A cast of the gates is housed at the Musée Rodin. Other bronze versions are in the United States at the Rodin Museum in Philadelphia. You can also find them in Tokyo at the National Museum of Western Art. Some bronzes are in Switzerland, Mexico, and South Korea. In Shizuoka, Japan, there is even a special Rodin Wing at the Prefectural Museum of Art.
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