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Tamara Geva

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Tamara Geva was a versatile artist who excelled as a ballet dancer, actress, and choreographer. Her career spanned several continents and many different types of performance. She moved between the worlds of classical ballet, Broadway musicals, and Hollywood cinema. Geva was known for her ability to perform both serious dance and comedic roles. Her life was marked by significant historical changes and artistic collaborations. She remains a notable figure in the history of 20th-century performing arts.

Her early life in St. Petersburg, Russia, provided a foundation in art and culture. She was born Tamara Levkievna Zheverzheeva on March 17, 1906. Her father, Levkiy Gevergeyev, was a passionate art collector and a freethinker. He sponsored various Russian avant-garde artists and their creative projects. The family lived in a large 19th-century house on Rubinstein Street. This home contained an extensive collection of books, art, and theater memorabilia.

Geva's father even maintained a miniature theater within the house. However, the Bolshevik Revolution brought great hardship to her family. The Bolsheviks took her father's fortune, and the family faced near starvation.

Training in dance began through private lessons and formal schooling. Geva first discovered her passion for ballet at the Mariinsky Theatre. She was inspired after watching a dancer perform La Esmeralda. Although her parents initially forbade ballet school, she attended private lessons. At age 13, she began evening classes at the Mariinsky Theatre School. During this time, she met George Balanchine, who taught ballroom dance classes. The two became close collaborators and eventually married in 1924.

They managed a company called The Young Ballet, which struggled during its time in Soviet Russia.

Seeking better opportunities, the couple embarked on a difficult European tour. They performed in small, dark venues such as beer gardens and private ballrooms. The company faced financial struggles and often had very little food. In London, their performances were met with silence from the audience. Eventually, they joined the famous Ballets Russes under the impresario Sergei Diaghilev.

In 1926, Geva performed in The Triumph of Neptune. For this production, she wore a costume made of tiny mirrors that weighed 75 pounds. This period of her life was marked by both high-level artistry and personal tension.

In 1927, Geva moved to the United States while touring with La Chauve-Souris. She quickly became a recognized talent in New York City. She introduced Balanchine's choreography to American audiences through several solos. These pieces included Romanesque, Grotesque Espagnol, and Sarcasms. Critics began calling her a "Russian star" following her success at the Cosmopolitan Theatre.

She later joined the Ziegfeld Follies and transitioned into a successful Broadway career. Between 1925 and 1953, she appeared in many notable musicals.

As her career progressed, Geva expanded into choreography and dramatic acting. She choreographed dance numbers for musicals like Three's A Crowd and Flying Colors. In 1936, she starred in the musical On Your Toes. She performed in the famous "Slaughter on Tenth Avenue" sequence. Brooks Atkinson of the New York Times described her performance there as "magnificent."

Beyond musical theater, she acted in serious plays by authors such as Euripides, George Bernard Shaw, and Jean-Paul Sartre. She even served as a lead choreographer for the film Specter of the Rose in 1946.

Throughout her long life, Geva maintained connections to the broader world of art. She was the first of four wives for George Balanchine, and they remained friends after their split. She married Kapa Davidoff in 1931 and later married John Emery in 1942. In 1972, she shared her experiences by publishing an autobiography titled Split Seconds. Her final performance took place on screen in 1983. Tamara Geva died in Manhattan on December 9, 1997, at the age of 91. Her legacy lives on through the many productions she touched.

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