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Rutebeuf

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Rutebeuf was a prominent French trouvère, a type of poet-composer who worked in the northern dialects of France. He was active during the middle of the 13th century, specifically between 1245 and 1285. While his exact origins are unclear, he may have been born in Champagne. He was likely of humble birth and spent much of his life in Paris. Rutebeuf used a pen name, which he sometimes explained through wordplay. He suggested it might come from "rude boeuf" or "rude oeuvre," meaning a "coarse ox" or a "rustic piece of work." This name reflects the varied and sometimes gritty nature of his writing.

His literary career involved many different styles and purposes. He was a master of the verse conte, which are narrative poems that tell a story. He also wrote fabliaux, which are short, light, and often coarse fables. Some of his stories appear in a collection called the Cent Nouvelles nouvelles, or "One Hundred Short Stories." Beyond stories, he wrote dramatic monologues, such as the Dû de L'Herberie, which was written in both prose and verse. This specific piece was intended for popular recitation and was meant to be performed by a character acting as a quack doctor.

Many of Rutebeuf's works provide an autobiographical look at his own life. In his poem "Le Mariage de Rutebeuf," he recorded his marriage on January 2, 1261. He described his wife as lacking a dowry and being neither amiable nor beautiful. In other works, like the Complainte de Rutebeuf, he detailed his descent into extreme poverty. He attributed much of this misfortune to his love of play, specifically a dice game known as griesche. To seek relief from this destitution, he addressed his poems to powerful figures like Alphonse, comte de Poitiers, and King Louis IX.

Despite his personal struggles, Rutebeuf was a successful professional who worked for the nobility. He wrote the metrical Life of Saint Elizabeth of Hungary at the request of Erard de Valery. He also composed several elegies, which are poems written to honor the dead. These included works for Anceau de l'Isle Adam, who died around 1251, and Eudes, comte de Nevers, who died in 1266. He also wrote for Theobald II of Navarre and Alphonse, comte de Poitiers, who died in 1271. These commissions were likely paid for by the families of the deceased.

As a satirist, Rutebeuf used his wit to engage in the social and political debates of his time. His satirical work likely began around 1260. He frequently criticized the iniquities of the friars and defended the secular clergy of the University of Paris. He was a staunch champion of the University during its conflicts with religious orders supported by Pope Alexander IV. He also defended Guillaume de Saint-Amour after he was sent into exile. Some scholars believe Rutebeuf may have even written the controversial songs and rhymes that the Pope ordered to be burned.

His dramatic contributions are also significant to the history of French literature. He wrote Le Miracle de Théophile, which is one of the earliest surviving dramatic pieces in the French language. This miracle play tells the story of Theophilus of Adana, a monk who made a pact with the devil. While this subject had been treated in Latin by the nun Hroswitha of Gandersheim, Rutebeuf's version holds a special place in dramatic history. In his later years, his work shifted toward religious themes, including the Voie de Paradis, which describes a dream in the style of the Roman de la Rose.

Today, Rutebeuf's legacy is preserved through scholarly editions and popular culture. His collected works, the Oeuvres of Rutebeuf, were edited by Achille Jubinal in 1839 and later by Adolf Kressne in 1885. In the modern era, his influence reached the world of music. In 1955, the composer Léo Ferré adapted lines from Rutebeuf's work to create the song "Pauvre Rutebeuf." This song has been covered by many famous artists, including Joan Baez and Nana Mouskouri. Even in astronomy, his name lives on through the asteroid 283786 Rutebeuf, discovered in 2003.

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