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Ogden Nash

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Frederic Ogden Nash was a celebrated American poet of the twentieth century. He was most famous for his light verse, which is poetry intended to be humorous and playful. Throughout his career, Nash produced more than 500 pieces of verse. The New York Times recognized him as the most famous producer of humorous poetry in the United States. His work was highly regarded by the literary establishment. His poems were frequently included in serious collections, such as Selden Rodman's 1946 A New Anthology of Modern Poetry.

Ogden Nash in Los Angeles, 1949
Ogden Nash in Los Angeles, 1949

Nash's poetic style relied on unconventional rhyming schemes to surprise his readers. He often used a technique of combining words or misspelling them to create a comic effect. For instance, he might use the word "nectacled" to rhyme with a phrase that sounds like "neck tickled." He also frequently invented entirely new words when existing rhymes were unavailable. A famous example involves his description of a "one-L llama," a "two-L llama," and the impossibility of a "three-L llama." His verse often featured irregular meter and pairs of lines with dissimilar lengths. This exaggerated form contributed to the playful, off-kilter feeling of his work.

Nash's professional journey included several different roles before he achieved national fame. After graduating from St. George's School in Rhode Island, he attended Harvard University in 1920. He left Harvard after one year to teach at St. George's. Upon returning to New York, he worked briefly as a bond salesman. He later became a writer of streetcar card advertisements for Barron Collier. While working as an editor at Doubleday, he began submitting short rhymes to The New Yorker. The editor, Harold Ross, praised them as being highly original. In 1931, Nash published his first collection, Hard Lines, which brought him national recognition.

Ogden Nash in Los Angeles, 1949
Ogden Nash in Los Angeles, 1949

Beyond solo poetry, Nash was a versatile creator in the world of musical theater. He served as the lyricist for the 1943 Broadway musical One Touch of Venus. For this production, he collaborated with librettist S. J. Perelman and composer Kurt Weill. This musical featured the notable song "Speak Low." He also wrote lyrics for the 1952 revue Two's Company and worked on the musical Nash at Nine. In 1956, he took on the dual role of writing both music and lyrics for The Littlest Revue. His ability to translate humor into song made him a significant figure in Broadway history.

Nash's interests extended into sports and various cultural observations. He was a devoted fanatic of the Baltimore Colts American football team. In December 1968, Life magazine featured him and his love for the Colts. The issue included his poems alongside photographs by Arthur Rickerby. He also wrote "Line-Up for Yesterday," an alphabetical poem honoring baseball players. Some of his work reflected the social atmosphere of his time. For example, his poem "The Japanese," published in 1938, served as an allegory for expansionist policies. He also wrote humorous poems for the orchestral suite The Carnival of the Animals by Camille Saint-Saëns.

Ogden Nash in Los Angeles, 1949
Ogden Nash in Los Angeles, 1949

Nash's personal life was closely tied to the city of Baltimore. He married Frances Leonard in 1931, and they moved to her family's mansion in Guilford, Maryland. He lived there for the remainder of his life and considered Baltimore his true home. Nash died at Johns Hopkins Hospital on May 19, 1971, due to Crohn's disease. He is buried in East Cemetery in North Hampton, New Hampshire. His legacy continues through his many published volumes, including 14 major collections released between 1931 and 1972. His family also continued a literary tradition, with several of his children and grandchildren becoming authors.

Ogden Nash in Los Angeles, 1949
Ogden Nash in Los Angeles, 1949

The lasting impact of Nash's work is seen in how he is remembered by national institutions. In 2002, the US Postal Service honored his centennial by releasing a special postage stamp. This stamp featured his name and text from six of his poems. These poems included "The Turtle," "The Cow," "Crossing The Border," "The Kitten," "The Camel," and "Limerick One." This honor placed him within the Literary Arts section of the service. His work remains a study in how language can be manipulated to create joy. He proved that even strict forms like rhyme could be broken to find new, funny truths.

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