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Leonard Feather

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Leonard Feather was a central figure in the history of jazz. He was a British-born musician, composer, and producer. However, he was most famous as a jazz journalist and critic. His writing helped define the genre for many listeners. He was often called the most influential jazz writer of his time. Even people who did not read his books knew his name. This was because he wrote liner notes for hundreds of jazz albums. Liner notes are the descriptive texts found inside record sleeves.

Feather's career involved many different musical roles. As a pianist and clarinetist, he understood the technical side of performance. He learned these instruments without formal training. As a producer, he helped shape how jazz records sounded. He also worked as a composer, writing melodies and lyrics. One of his most famous songs is "How Blue Can You Get?" He co-wrote this with his wife, Jane. Famous blues artists like B. B. King and Louis Jordan recorded it. He also wrote the lyrics for "Whisper Not," a song recorded by Ella Fitzgerald in 1966.

Feather was a pioneer in jazz broadcasting and media. In 1936, he helped develop jazz programs for the BBC in Britain. He devised three programs called "Evergreens of Jazz." He also wrote a regular column titled "Tempo di Jazz" for the Radio Times. In the 1950s, he hosted radio shows like "Jazz Club" and "Platterbrains." These shows helped bring jazz into people's homes. He also held major roles in print media. He served as a co-editor of Metronome magazine. Later, he was the chief jazz critic for the Los Angeles Times.

His life moved across the Atlantic Ocean. Feather was born in London, England, in 1914. He grew up in an upper middle-class Jewish family. At age twenty-one, he made his first trip to the United States. He moved to New York City in 1939 to work as a producer. In 1960, he moved to Los Angeles, California. He remained in Los Angeles until his death in 1994. He passed away at age 80 due to complications from pneumonia.

Feather was a prolific author of jazz history. He wrote many books that served as important references. In 1955, he published The Encyclopedia of Jazz. This book featured a foreword by the famous Duke Ellington. He also released The Encyclopedia Yearbook of Jazz in 1956. Other notable works include The Encyclopedia of Jazz in the Sixties. He also wrote From Satchmo to Miles in 1972. His work with Ira Gitler resulted in The Biographical Encyclopedia of Jazz. These books helped organize the vast history of the music.

Feather was known for his strong presence in the jazz community. He was not always a neutral observer. Some noted his skill at writing glowing reviews for artists he worked with. He would sometimes write advance press pieces for artists he was about to record. He might even review his own productions as if he were an impartial critic. This approach was described by some as an art form in itself. Despite this, his influence on the industry was massive. He even organized the first jazz concerts at Carnegie Hall. He also brought jazz to the Metropolitan Opera House.

His contributions earned him significant respect in the music world. In 1984, the Berklee College of Music gave him an Honorary Doctorate of Music. This is a high honor for his lifelong dedication to the craft. Today, his life and work are preserved for future researchers. His personal archives are held at the University of Idaho Library. They are part of the International Jazz Collections. This allows students to study the history he helped create. His legacy lives on through his books, recordings, and the scholars who study his papers.

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