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Julia Balbilla

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Julia Balbilla was a Roman noblewoman and a skilled poet. She lived during a time of great empire and diverse cultures. Her life was defined by her high social status and her connection to the Roman imperial court. Balbilla is best remembered today for her surviving poetry. She inscribed these works directly onto ancient stone monuments in Egypt. These writings provide a rare glimpse into the life of an educated woman in the Roman era.

Memnonis crus dexterum - Pococke Richard - 1743
Memnonis crus dexterum - Pococke Richard - 1743

Balbilla's family history was incredibly complex and international. Her ancestry included lines from Armenia, Media, Syria, and the Seleucid Empire. She was a member of the royal family of Commagene. Commagene was a small principality located in what is now modern-day Turkey. This kingdom was eventually annexed by the Roman Empire. Because of this, her family held significant influence within the Roman system. Her brother, Philopappos, even served as a consul in Rome until AD 109.

Memnonis crus alterum - Pococke Richard - 1743
Memnonis crus alterum - Pococke Richard - 1743

Her upbringing was shaped by many learned and powerful relatives. Her maternal grandfather was Tiberius Claudius Balbilus. He was a Greek man of Egyptian descent who worked as an astrologer. An astrologer is a scholar who studies the movements of stars and planets. Balbilus served as the Prefect of Egypt from AD 55 to AD 59. This was one of the highest administrative roles in the region. Her father, Gaius Julius Archelaus Antiochus Epiphanes, provided her with a traditional Greek education. This education allowed her to master the complex art of poetry.

Balbilla served as a court poet for the Emperor Hadrian. She was also a companion to his wife, Vibia Sabina. In AD 129, she joined the imperial party on a journey to Egypt. Between November 19 and November 21, AD 130, she recorded the party's visit to the Valley of the Kings. To do this, she used a unique method of inscription. She wrote three epigrams, which are short poems, onto the legs of the Colossi of Memnon. These colossal statues are massive stone figures located in Egypt.

Memnonis crus dexterum - Pococke Richard - 1743
Memnonis crus dexterum - Pococke Richard - 1743

Writing these epigrams required great skill and specific literary choices. Balbilla wrote in Aeolic Greek, a dialect often used by ancient lyric poets. Her work was a form of approved public inscription. However, it also shared characteristics with graffiti because of how it was placed on the statues. She used an Homeric tone, which means her writing sounded like the epic stories of Homer. Her poems included metaphors and clever sound echoes. She was also inspired by the poet Sappho. This influence showed in her themes regarding the Muses, who are goddesses of inspiration.

Memnonis crus alterum - Pococke Richard - 1743
Memnonis crus alterum - Pococke Richard - 1743

The content of her three surviving poems serves different purposes. The first and second epigrams focus on mythology. They tell the story of Memnon, a mythical king of Ethiopia. In the myths, Memnon was killed by Achilles at Troy, and the god Zeus made him immortal. Balbilla used this story to flatter Emperor Hadrian and Sabina. Her third epigram was more personal. She dedicated it to her own parents and grandfathers. This poem served to celebrate her noble bloodline and her family's history.

Memnonis crus dexterum - Pococke Richard - 1743
Memnonis crus dexterum - Pococke Richard - 1743

There is also a fourth poem associated with her work, though it may have a different author. This poem is written in elegiac couplets, which is a specific rhythmic style of verse. It is titled as a dedication to the Muses and is attributed to someone named "Demo" or "Damo." While often published with Balbilla's work, internal evidence suggests it might be separate. This poem claims that the hero Memnon showed special respect to the author. Some evidence suggests this specific inscription was made in or after AD 196. This shows how people continued to interact with these ancient monuments long after Balbilla's time.

Memnonis crus alterum - Pococke Richard - 1743
Memnonis crus alterum - Pococke Richard - 1743
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