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Alexander Sumarokov

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Alexander Petrovich Sumarokov was a foundational figure in Russian literature. He was a poet and a playwright who helped build classical theatre in Russia. While others like Mikhail Lomonosov helped start the era of classicism, Sumarokov worked to make it a reality. He is often called the father of the Russian literary profession. This is because he was the first gentleman in Russia to choose writing as his career. Most writers before him were either wealthy amateurs or academic professors. Sumarokov turned the act of writing into a dedicated profession.

Sumarokov's work involved many different styles and genres. He was a prolific writer who focused on areas that Lomonosov had neglected. He wrote plays, fables, satires, and love songs. He also worked as one of the earliest Russian journalists and literary critics. He edited a journal called Yezhemesyachnye sochineniya, which means Monthly Compositions, from 1759 to 1764. Through this journal, he helped teach Russian readers the rules of classical taste. Although some critics called his reviews superficial, his influence on public taste was significant.

His plays were central to his legacy in the theatre. In 1749, he wrote Khorev, which is considered the first regular Russian drama. He also managed the first permanent public theatre in Saint Petersburg. He worked alongside other theatre figures like Fyodor Volkov and Ivan Dmitrevsky. Sumarokov drew his story ideas from several different sources. He used Russian history, such as the story of Dmitry Samozvanets, to create drama. He also used proto-Russian legends and plots from William Shakespeare, including Hamlet and Macbeth.

Sumarokov was also a pioneer in other musical and poetic forms. He was the first Russian author to write fables, a genre that later became very popular in Russia. He wrote satires that acted as witty attacks against government officers and clerks. His love songs were very famous and brought him great fame. The historian D. S. Mirsky noted that these songs had a special gift for melody. Sumarokov also showed great inventiveness with metrical patterns in his poetry. This skill was so unique that none of his successors could truly imitate it.

In the world of opera, Sumarokov achieved several historic milestones. He wrote the first Russian-language libretto for an opera. A libretto is the text used in an opera. This work was titled Tsefal i Prokris, or Cephalus and Prokris. It was written for the Italian composer Francesco Araja, who served in the Russian court. This opera was staged in Saint Petersburg on March 7, 1755. Later, in 1758, he wrote the libretto for another opera called Altsesta. This one was set to music by the German composer Hermann Raupach.

Sumarokov's life began in 1717 in Villmanstrand. This location is known today as Lappeenranta in Finland. At the time, the area was ruled by Sweden. His father was likely serving in the Great Northern War against Sweden during this period. Alexander was educated at the Cadet School in Saint Petersburg. This education made him very familiar with French learning. This background helped him connect with broader European ideas and styles.

His influence extended to his family and the wider European culture. He was a follower of the philosopher Voltaire and exchanged letters with him. Some scholars believe Sumarokov used Voltaire to access many European influences. These included writers like Lope de Vega and Shakespeare. His daughter, Ekaterina, also became a notable poet. She was one of the first women to have her work printed in Russian journals. Even after his death in 1777, his family's noble status continued. His grandson was made a count, and the title eventually passed to Prince Felix Yusupov.

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